audio/video engineer

Naqvi Injury Law

<div>Description:
<p><b>
Location: Las Vegas, NV</b></p><p><b>
Full-Time</b></p><p><b>
About the Role</b></p><p>
We are building a modern in-house studio environment to produce high-quality podcasts, interviews, and video content.</p><p>
We are seeking a Studio Production Engineer who is passionate about video technology, studio equipment, and production systems.</p><p>
This is a technical role, not a creative director role.</p><p>
You will be responsible for ensuring that cameras, microphones, lighting, and production software operate flawlessly across our office studio, auditorium, and podcast environments.</p><p>
The ideal candidate is someone who loves production technology, enjoys solving technical problems, and takes pride in building systems that run smoothly.</p>
Requirements:
<p><b>
Studio Production</b></p><ul><li>
 Set up and manage podcast and video recording environments</li><li>
 Configure cameras, microphones, and lighting for productions</li><li>
 Operate vMix for recording and live switching</li></ul><p><b>
Auditorium Production</b></p><ul><li>
 Operate and maintain our office auditorium production system, including LED wall, cameras, lighting, and audio</li><li>
 Run multi-camera productions and events</li></ul><p><b>
Camera Systems</b></p><ul><li>
 Configure mirrorless camera setups for high-quality video capture</li><li>
 Manage camera signal routing via capture cards or HDMI</li></ul><p><b>
Audio Systems</b></p><p>
Configure and maintain audio systems including:</p><ul><li>
 R&Oslash;DECaster Pro</li><li>
 R&Oslash;DE Wireless Pro</li><li>
 Broadcast microphones (e.g., Shure SM7B)</li></ul><p>
Ensure clean, professional audio recording.</p><p><b>
Lighting</b></p><ul><li>
Set up professional lighting for podcasts and talking-head content</li><li>
 Optimize lighting for cinematic quality</li></ul><p><b>
Production Technology</b></p><p>
Operate and maintain systems including:</p><ul><li>
 vMix production software</li><li>
 Blackmagic ATEM switchers</li><li>
 Capture cards and signal routing</li><li>
 Elgato Stream Deck controls</li></ul><p><b>
Troubleshooting</b></p><p>
Quickly diagnose and resolve issues involving:</p><ul><li>
 Cameras</li><li>
 Microphones</li><li>
 Lighting</li><li>
 Software</li><li>
 Signal routing</li><li>
 Streaming systems</li></ul><p><b>
Production Support</b></p><ul><li>
 Assist during podcast and interview recordings</li><li>
 Capture b-roll content when needed</li><li>
 Prepare studio environments before recordings</li></ul><p><b>
Ideal Candidate</b></p><p>
You might be a great fit if:</p><ul><li>
 You love working with production equipment and technology</li><li>
 You enjoy troubleshooting and solving technical problems</li><li>
 You are highly reliable and detail-oriented</li><li>
 You enjoy building systems that work efficiently</li><li>
 You are eager to learn and improve studio setups</li></ul><p><b>
Technical Experience (Preferred)</b></p><p>
Experience with some or all of the following:</p><ul><li>
 vMix</li><li>
 Blackmagic ATEM switchers</li><li>
 R&Oslash;DECaster Pro / R&Oslash;DE wireless systems</li><li>
 Mirrorless camera systems (Panasonic, Sony, Canon)</li><li>
 Professional lighting setups</li><li>
 HDMI or SDI signal routing</li><li>
 Live streaming workflows</li></ul><p><b>
What You&rsquo;ll Work With</b></p><p>
Our production environment includes equipment such as:</p><ul><li>
 Professional mirrorless cameras</li><li>
 R&Oslash;DE audio systems and broadcast microphones</li><li>
 Blackmagic ATEM switching systems</li><li>
 vMix production software</li><li>
 Professional studio lighting</li><li>
 Large LED wall auditorium</li></ul><p><b>
Compensation</b></p><p>
Competitive salary based on experience.</p><p><b>
Location Requirement</b></p><p>
Candidate must live in Las Vegas.</p></div>

Studio Production Engineer / Podcast & Video Technology Specialist

Pixelogic Media

<div>
 We seek the brightest minds and the A-players to innovate and disrupt our industry and to make it easier for our clients to offer premium content quickly across physical and digital media platforms worldwide. No matter the product or service, our approach is simple: deliver advanced media solutions with exceptional service.
 <br/>
 <br/>
 To support our continued expansion, we are currently looking for "Roll Up Your Sleeves" problem solvers that can work as part of a world-class team. Our work environment is unique. So is the right candidate. This is a fantastic opportunity to join a forward-looking company that offers an exciting, creative and dynamic work environment with tremendous career growth potential.
 <br/>
 <br/>
 To date, we've delivered thousands of titles to iTunes, Google, Netflix, Amazon, and others. We've created a large percentage of iTunes Extras titles available on the App Store, developed the specification of and delivered the first Cross-Platform Extras titles, authored more than eight-thousand DVDs, two-thousand Blu-rays, as well as award-winning tablet and mobile apps.
 <br/>
 <br/>
 <strong>
  Job Qualifications
  <br/>
  <br/>
 </strong>
 <ul>
  <li>
   Bachelor degree
  </li>
  <li>
   2+ years in audio post-production or media service projects for film and tv
  </li>
  <li>
   Excellent Pro Tools operational skills, including the use of video in Pro Tools
  </li>
  <li>
   Passionate about customer experience and customer service excellence
  </li>
  <li>
   Non-linear video workstation editor skills
  </li>
  <li>
   Strong technical skills and knowledge of tools and devices in digital media
  </li>
  <li>
   Excellent communication skills over phone and email
  </li>
  <li>
   Excel and other MS Office application software
  </li>
  <li>
   Deep sense of urgency and ability to work in a fast-paced environment
  </li>
  <li>
   Problem solver with creative and innovative approach with ability to think out of the box
  </li>
  <li>
   Outstanding attention to detail and ability to plan complex projects with urgency
  </li>
  <li>
   A positive attitude when experiencing obstacles and enthusiastic to get things done
   <br/>
   <br/>
  </li>
 </ul>
 <strong>
  Requirements
  <br/>
  <br/>
 </strong>
 The audio engineer will be responsible for jobs related to audio and media post-production services. Primary responsibilities include preparing and delivering media content. This includes Pro Tools audio sessions, video content, and media packages (audio, video, subtitles, and closed captions). Candidate must be very proficient in Pro Tools within a post-production background. General proficiency in video types, SMPTE timecode, frame rates, codecs, and various video or audio file types is expected. Candidate must have a strong understanding, efficiency, and skillset in Avid Pro Tools, with some experience in operating non-linear video editors (example: Adobe Premiere) and the ability to understand subtitles and closed captions. Experience is required in working with all common audio formats, sample rates, video frame rates, including traditional multi-channel audio configurations (2.0, 5.1, 7.1). Attention to detail, excellent time management and a perfectionist mind-set is paramount in this role.
 <br/>
 <br/>
 <ul>
  <li>
   Utilizing various software and production tools to transform media to the appropriate spec (ProTools, Final Cut Pro, Adobe Suite, , etc.)
  </li>
  <li>
   Pre-processing media materials for Feature and TV shows
  </li>
  <li>
   Reviewing QC notes and troubleshooting
  </li>
  <li>
   Updating workflows according to client specifications as needed
  </li>
  <li>
   Continuously researching and identifying new tools and systems to enhance operational workflows
  </li>
  <li>
   Other tasks as assigned
   <br/>
   <br/>
  </li>
 </ul>
 <strong>
  Why should you join us?
  <br/>
  <br/>
 </strong>
 At Pixelogic, we pride ourselves on fostering a supportive and engaging environment. Our comprehensive benefits include top-notch medical and social insurance fully covered for you and your family, ongoing training and development opportunities, and fun department outings to boost team spirit. Enjoy delicious catered meals, unlimited snacks and drinks, and a fun office activity area for games and stress relief. We also provide free internet for remote work, convenient office transportation, and a rewarding referral bonus system.
</div>


Audio Engineer

Apple

<p>Worldwide Events and Experiences brings the best of Apple to life, showcasing our products, services and the values that drive our company. From global product launches and tailored creator experiences to impactful partner engagements and inspiring internal events, this team is charged with managing the end-to-end planning, production, in person experiences and all the unique details that make these events special. The team includes professionals with backgrounds in event design, management, operations, broadcast, and production. We&rsquo;re looking for inventive and collaborative people from a variety of creative fields. If that&rsquo;s you, then your next home may be here!<br>
<br>
The Audio Engineer is a hands on technical leadership role responsible for delivering premium live and broadcast audio experiences for Apple&rsquo;s Worldwide Events. This role owns the operation, maintenance, and evolution of our audio systems, ensuring clarity, reliability, and aesthetic excellence across technical rehearsals, live events, and broadcasts located at Steve Jobs Theater, various Apple facilities and remote locations.<br>
<br>
<b>Description</b><br>
<br>
Working in close partnership with the Technical Team and cross functional internal teams, the Audio Engineer sets and maintains the highest production standards while leading audio crews and vendor partners. Success in this role requires deep technical expertise, meticulous preparation, and calm execution in executive-facing environments with zero margin for error.&quot;,&quot;responsibilities&quot;:&quot;Own the design, configuration, operation, and long term health of all Steve Jobs Theater (SJT) audio systems.<br>
<br>
Lead setup and maintenance of PA, immersive audio Dolby ATMOS, monitoring, RF, intercom, playback, and recording systems.<br>
<br>
Operate and support digital mixing platforms including SSL Live, Avid S6L, DiGiCo, and Yamaha.<br>
<br>
Design, deploy, and manage Dante-based audio networks, including redundancy, time code, QoS, and monitoring.<br>
<br>
Maintain and operate theater and remote production sound systems.<br>
<br>
Support immersive and spatial audio workflows, ensuring accurate translation and audience experience.<br>
<br>
Ensure systems are aligned, tuned, documented, with signal flow diagrams, and production ready for rehearsals, executive QCs, and live events.<br>
<br>
Lead hands on audio operation for all SJT events and select external or remote productions as required.<br>
<br>
Mix and supervise live audio for executive presentations, product launches, comms meetings and broadcast productions.<br>
<br>
Monitor audio quality in real time, ensuring intelligibility, tonal balance, latency control, and broadcast readiness.<br>
<br>
Troubleshoot and resolve audio issues quickly and calmly during rehearsals, and live events.<br>
<br>
Ensure seamless integration between in venue audio systems, broadcast audio paths, intercom, and show control.<br>
<br>
Collaborate closely with Transmission, Video Engineering, Production teams, and cross-functional partners.<br>
<br>
Support special events, remote video shoots, and studio style productions<br>
<br>
Record, edit, and master audio content as needed.<br>
<br>
Coordinate rental, specification, and deployment of supplemental audio systems.<br>
<br>
Create equipment budgets, forecasts, and technical recommendations.<br>
<br>
This role requires up to 30% travel, including both domestic and international travel, based on project needs.<br>
<br>
Schedule varies based on the dynamic production calendar.<br>
<br>
Flexibility is required; this role may exceed 40 hours per week during peak production periods.<br>
<br>
<b>Preferred Qualifications</b><br>
<br>
Experience with immersive and spatial audio systems.<br>
<br>
Strong understanding of audio networking, including Dante, redundancy, and system design.<br>
<br>
Advanced experience with SSL Live consoles and large-format digital mixing environments.<br>
<br>
Commitment to safe work practices and high production standards.<br>
<br>
Contribute to continuous improvement of workflows, systems, and best practices.<br>
<br>
<b>Minimum Qualifications</b><br>
<br>
7+ years of proven experience supporting large-scale productions, touring, or medium to large size performance theaters or amphitheaters.<br>
<br>
Demonstrated expertise in theatrical, concert, and event audio mixing.<br>
<br>
Deep knowledge of professional audio systems, signal flow, and system integration, Audio networking: Dante, AES67, AVB.<br>
<br>
Strong understanding of acoustics and audio device selection and placement.<br>
<br>
Experience working directly with executives, presenters, talent, designers, and stagehands.<br>
<br>
Apple is an equal opportunity employer that is committed to inclusion and diversity. We seek to promote equal opportunity for all applicants without regard to race, color, religion, sex, sexual orientation, gender identity, national origin, disability, Veteran status, or other legally protected characteristics. Learn more about your EEO rights as an applicant .<br>
<br>
<b>Pay &amp; Benefits</b><br>
<br>
At Apple, base pay is one part of our total compensation package and is determined within a range. This provides the opportunity to progress as you grow and develop within a role. The base pay range for this role is between $146,800 and $221,200, and your base pay will depend on your skills, qualifications, experience, and location.<br>
<br>
Apple employees also have the opportunity to become an Apple shareholder through participation in Apple's discretionary employee stock programs. Apple employees are eligible for discretionary restricted stock unit awards, and can purchase Apple stock at a discount if voluntarily participating in Apple's Employee Stock Purchase Plan. You'll also receive benefits including: Comprehensive medical and dental coverage, retirement benefits, a range of discounted products and free services, and for formal education related to advancing your career at Apple, reimbursement for certain educational expenses - including tuition. Additionally, this role might be eligible for discretionary bonuses or commission payments as well as relocation. Learn more about Apple Benefits.<br>
<br>
Note: Apple benefit, compensation and employee stock programs are subject to eligibility requirements and other terms of the applicable plan or program.</p>

Crestron Electronics

At Crestron Electronics, Inc we build the technology that integrates technology.
<br><br>
We are proud to be the largest and most recognized brand in automation and control solutions, and the premier technology partner for fortune 500 businesses globally. Our products’ are integrated into new high-tech commercial buildings’ to include some of the most exciting real estate throughout the world. Our clients include Google, Microsoft, Amazon, LinkedIn and many others. We are the leaders in the most exciting industry in the world!
<br>Our automation and control solutions for homes and buildings allow our clients to control entire environments with the push of a button, integrating systems such as Audio Visual, Lighting, Shading, Security, Building Management Systems and HVAC to provide greater comfort, convenience and security.
<br><br>
Summary
<br>Crestron's Streaming team is looking for a talented and self-motivated engineer with strong embedded software development experience who can apply his/her expertise in our next generation of audio video streaming solutions.
<br><br>
As a member of the firmware development team, your daily activities will include the full lifecycle of design, development, modification, test, debug, and support of new and existing embedded Linux and Android based products. You will work closely with cross-functional teams to review requirements, develop new features, optimize performance, and ensure seamless integration with hardware components.
<br><br>
Responsibilities
<br><ul>
<li>Development and maintenance of current software including feature enhancements, performance improvements, troubleshooting, testing, and bug fixing for streaming solutions across multiple platforms.</li>
<li>Document firmware architecture and design specifications.</li>
<li>Integrate and maintain 3rd party applications on multiple platforms.</li>
<li>Conduct code reviews and provide technical guidance to junior engineers.</li>
<li>Develop and execute validation and testing procedures for firmware.</li>
<li>Ensure firmware meets industry standards and regulatory requirements.</li>
</ul>
Qualifications
<br><ul>
<li>Bachelor’s Degree in Arts/Sciences (BA/BS) in Electrical Engineering, Computer Science, or a related field.</li>
<li>5-7 years of experience in firmware development for embedded Linux/Android systems.</li>
<li>Experience in C, C++/Java or other object oriented programming languages</li>
<li>experience w/Embedded Linux/Android</li>
<li>Experience in networking protocols, TCP, UDP, HTTP, etc</li>
<li>Experience developing and debugging Android Apps and Services</li>
<li>Experience with video or graphics software systems (VAAPI, gstreamer, ffmpeg, OpenMAX, OpenGL, etc.)</li>
<li>Experience with video and audio streaming protocols (RTP, RTSP, etc.), codecs (H.264/H265, VP9 etc.)</li>
<li>Experience with Android framework customization</li>
<li>Excellent problem solving, critical thinking, communication skills and interpersonal skills.</li>
<li>Excellent communication and interpersonal skills</li>
<li>Ability to adapt and learn in a fast-paced environment</li>
<li>Ability to prioritize competing projects and deliver with confidence in a fast-paced environment</li>
</ul>
Per applicable state requirements, the annual pay range for this position ($107,500 - $173,500) which consists of base salary (subject to performance), reflects the hiring range for candidates. Also note, an individual’s offer may vary from this range as it may be impacted by additional factors, including but not limited to the candidate's hiring location, qualifications, experience, and market factors.
<br><br>
Crestron Electronics offers a competitive total compensation package including Medical, Dental, Vision, Life Insurance, Short Term Disability, 401K with company match, Paid Time Off, Holidays, On-site Amenities at NJ Headquarters & TX Facilities, Crestron Market Cafes, and Fitness Centers.
<br><br>
At Crestron Electronics, Diversity, Equity, and Inclusion drive innovation. Crestron’s success hinges on continuing to build a workforce of unique individuals whose passion inspires us to create and revolutionize industry-leading products and services. There will always be more to accomplish, and at Crestron, we believe the best way forward is together.
<br><br>
EOE/M/F/D/V
<br><br>
<ul>
<li>No Solicitation* Any agency submittal to any employee of Crestron Electronics, Inc by any method of communication will be deemed the sole property of Crestron Electronics Inc.</li>
</ul>


Senior Firmware Engineer - Audio & Video Streaming

The New York Public Library

<div>
 <p>
  <strong>
   Department:
  </strong>
  Collections
 </p>
 <p>
  <strong>
   Location:
  </strong>
  Library for the Performing Arts
 </p>
 <p>
  <strong>
   Compensation:
  </strong>
  $70,000 - $77,000 / year
  <br/>
  <br/>
 </p>
 <strong>
  Description
  <br/>
  <br/>
 </strong>
 <strong>
  Overview
  <br/>
 </strong>
 The New York Public Library seeks an audio engineer to join our in-house Audio and Moving Image (AMI) digitization program. The AMI Preservation program (AMIP) is charged with preserving and providing access to the Research Libraries&rsquo; extensive collection of audiovisual materials&mdash;including historical recordings and at-risk 20th-century media formats&mdash;through digitization and stringent preservation standards. Reporting to the Manager of Audio and Moving Image Preservation, the Engineer will oversee the operation of one of two AMIP audio digitization labs, ensuring that daily audio digitization operations and quality standards are met while maintaining a robust pipeline of preservation work. The ideal candidate is highly skilled in audio digitization and preservation, organized, and efficient.
 <br/>
 <br/>
 While located at the Library for the Performing Arts, the Engineer will carry out the preservation assessment, treatment, and reformatting of recordings held across the Research Libraries. They will also be responsible for equipment calibration and maintenance, and provide input and feedback on technology and workflow development. The position will advise on media preservation issues, and participate in quality assurance, and program documentation.
 <br/>
 <br/>
 <strong>
  We are looking for someone we can count on to:
  <br/>
  <br/>
 </strong>
 <strong>
  Own
 </strong>
 :
 <ul>
  <li>
   The operation of one of two AMIP audio digitization labs, including preparation and treatment of media, digitization, file editing and post-production, and equipment care and calibration
  </li>
  <li>
   Pre- and post-digitization logistics for this audio lab, ensuring timely and accurate completion of audio digitization projects from physical media handling to post-digitization validation processes
  </li>
  <li>
   The tracking of key performance metrics for the audio lab to demonstrate progress and maintain accountability for projects
  </li>
 </ul>
 <strong>
  Teach
 </strong>
 :
 <ul>
  <li>
   Lab staff and cross-functional teams about evolving audio digitization practices, quality assurance, and equipment care
  </li>
  <li>
   Colleagues about emerging trends in audio preservation and the tools/software that support them
  </li>
 </ul>
 <strong>
  Learn:
 </strong>
 <ul>
  <li>
   The unique content, formats, and preservation requirements of the Library&rsquo;s extensive and diverse audio collections
  </li>
  <li>
   The audio lab&rsquo;s digitization workflows, including in-house scripts to assist with efficient file processing and metadata organization
  </li>
  <li>
   New technologies, software, and digitization strategies in order to scale and continuously improve audio lab processes
  </li>
 </ul>
 <strong>
  Improve
 </strong>
 :
 <ul>
  <li>
   Communication channels and reporting mechanisms so that AMI lab managers have insight into audio digitization timelines and overall lab productivity
  </li>
  <li>
   Technical workflows and documentation to enhance efficiency, standardization, and quality control outcomes across audio preservation projects
  </li>
  <li>
   Digitization and equipment operation knowledge by engaging in robust professional development and field-specific training
  </li>
 </ul>
 <strong>
  Some expectations for this role are that within:
  <br/>
  <br/>
 </strong>
 <strong>
  1 month
 </strong>
 , this person will:
 <ul>
  <li>
   Have a working understanding of NYPL digitization specifications and lab equipment capabilities
  </li>
 </ul>
 <strong>
  3 months
 </strong>
 , this person will:
 <ul>
  <li>
   Have full understanding and ability to execute specifications and workflows
  </li>
 </ul>
 <strong>
  6 months and beyond
 </strong>
 , this person will:
 <ul>
  <li>
   Have the expertise and ability to represent all specifications and procedures to external parties
  </li>
  <li>
   Contribute to program and division specifications, workflow, and strategy discussions
   <br/>
  </li>
 </ul>
 <strong>
  Responsibilities
  <br/>
 </strong>
 Reporting to the Manager of the Audio and Moving Image Preservation Program, the Media Preservation Engineer (audio) will:
 <ul>
  <li>
   Perform preservation treatment and reformatting for the full range of obsolete, still-in-use, and emerging audio formats, from analog to digital (discs, cylinders, tape, etc)
  </li>
  <li>
   Create preservation master, production, service, and metadata files according to AMIP specifications
  </li>
  <li>
   Use a wide range of software, scripts and other tools to perform this work.
  </li>
  <li>
   Calibrate and maintain current and obsolete equipment
  </li>
  <li>
   Perform quality assurance activities
  </li>
  <li>
   Assess and recommend new tools and equipment
  </li>
  <li>
   Quality control of deliverables and preparation of digital assets for repository ingest.
  </li>
  <li>
   Participate in overall program and workflow development
  </li>
  <li>
   Participate in Library-wide activities such as disaster response and recovery, and education and outreach activities
  </li>
  <li>
   Stay abreast of new technology and emerging best practices in the field, and pays attention to developments in professional organizations such as AES, IASA, ARSC.
  </li>
  <li>
   Perform other duties as assigned
   <br/>
   <br/>
  </li>
 </ul>
 <strong>
  Required Education, Experience &amp; Skills
  <br/>
  <br/>
 </strong>
 <strong>
  Required Education &amp; Certifications
 </strong>
 <ul>
  <li>
   Bachelor&rsquo;s degree, or degree in Audio Engineering, Library/Information Science, Music Technology, Electrical Engineering, or a related field preferred
  </li>
 </ul>
 <strong>
  Required Experience
 </strong>
 <ul>
  <li>
   2-5 years of demonstrated experience in audio preservation, including media identification; physical treatment; playback, signal extraction, and analog-to-digital conversion; production and specification of preservation master files, digital derivatives, and metadata
  </li>
  <li>
   Demonstrated experience in the preservation reformatting of legacy analog formats (open-reel tape, cassettes, and grooved discs)
  </li>
  <li>
   Demonstrated experience in the preservation and reformatting of physical digital formats (such as DAT, ADAT, etc.)
  </li>
  <li>
   Hands-on experience with at least one professional digital audio workstation software.
  </li>
  <li>
   Working understanding of the audio preservation standards and best practice documents developed by IASA and AES
  </li>
  <li>
   Ability to perform basic maintenance and calibration of current and obsolete audio playback equipment
  </li>
  <li>
   Experience in the preservation reformatting of full range of obsolete to current audio formats, to include cylinders, wires, dictation formats, and optical media
  </li>
  <li>
   Experience with file analysis, digital asset packaging, and command-line scripting
  </li>
 </ul>
 <strong>
  Required Skills
 </strong>
 <ul>
  <li>
   Comprehensive knowledge of audio preservation engineering, including the calibration of legacy playback systems and the principles of high-fidelity signal extraction and A/D conversion
  </li>
  <li>
   Excellent critical listening/viewing skills and evaluation of typical issues in reformatting legacy media
  </li>
  <li>
   Excellent skills in evaluating and handling rare, fragile, or damaged media
  </li>
  <li>
   Excellent judgment, problem-solving skills and strong commitment to high quality and productivity
  </li>
  <li>
   Excellent organizational skills, high attention to detail, with the ability to set priorities and complete work under pressure of production deadlines
  </li>
  <li>
   Awareness of leading trends in digitization, and an eagerness to expand the scope of digitization possibilities at NYPL
  </li>
 </ul>
 <strong>
  Managerial/Supervisory Responsibilities
  <br/>
 </strong>
 N/A
 <br/>
 <br/>
 <strong>
  More...
  <br/>
  <br/>
 </strong>
 <strong>
  Core Values
  <br/>
 </strong>
 <em>
  All team members are expected and encouraged to embody the NYPL Core Values:
 </em>
 <ul>
  <li>
   Be
   <strong>
    Helpful
   </strong>
   to patrons and colleagues
  </li>
  <li>
   Be
   <strong>
    Resourceful
   </strong>
   in solving problems
  </li>
  <li>
   Be
   <strong>
    Curious
   </strong>
   in all aspects of your work
  </li>
  <li>
   Be
   <strong>
    Welcoming
   </strong>
   and
   <strong>
    Inclusive
   </strong>
  </li>
 </ul>
 <strong>
  Work Environment
 </strong>
 <ul>
  <li>
   Primarily an in-house lab environment located at the Library for the Performing Arts at Lincoln Center
  </li>
  <li>
   May involve occasional travel to other NYPL locations or off-site storage facilities
  </li>
  <li>
   Possible exposure to dust, mold, and chemicals used in preservation and treatment of media
  </li>
 </ul>
 <strong>
  Physical Duties
 </strong>
 <ul>
  <li>
   Ability to lift and move a variety of media carriers, boxes, and equipment (up to 40 lbs.)
  </li>
  <li>
   May involve repetitive motions related to equipment operation
  </li>
 </ul>
 <strong>
  Pre-Placement
 </strong>
 <strong>
  Physical Required?
  <br/>
 </strong>
 No
 <br/>
 <br/>
 <strong>
  Union/Non Union
  <br/>
 </strong>
 Non-Union
 <br/>
 <br/>
 <strong>
  FLSA Status
  <br/>
 </strong>
 Exempt
 <br/>
 <br/>
 <strong>
  Schedule
  <br/>
 </strong>
 Onsite, 35 hours per week, Monday to Friday, 9 am - 5 pm
 <br/>
 <br/>
 <em>
  This job description represents the types and levels of responsibilities that will be required of the position and shall not be construed as a declaration of all of the specific duties and responsibilities for the role. Job duties may change if Library priorities change. Employees may be directed to perform job-related tasks other than those specifically presented in this description as needed.
  <br/>
  <br/>
 </em>
 <strong>
  <em>
   The New York Public Library
  </em>
 </strong>
 <em>
 </em>
 <strong>
  <em>
   Salary Statement
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 At the Library, we believe that pay transparency and pay equity are important to ensuring we source the best candidates and keep the best employees. When making a determination as to the appropriate salary for a candidate, we consider a variety of factors such, including, but not limited to, the position requirements, the skills, prior experience, and educational background required or preferred for the job, the scope and impact of the role within the organization, internal peer equity, and the candidate's specific training, experience, education level, and skills. No single factor is conclusive; the Library reserves the right to consider any and all relevant factors and make a decision consistent with its policies.
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Media Preservation Engineer, Audio

Times Consultant

<p>We are seeking a highly skilled and experienced AI Video Creation &amp; Prompt Engineering Specialist to join our team. The ideal candidate should have hands-on expertise in modern AI video tools and a strong understanding of prompt engineering to generate high-quality, engaging content.</p><p><b>Key Responsibilities</b></p><ul><li>Create high-quality AI-generated videos using tools such as Runway, Pika, Synthesia, or similar platforms</li><li>Develop and optimize prompts for text-to-video, image-to-video, and generative AI workflows</li><li>Edit and refine AI-generated outputs to meet professional standards</li><li>Collaborate with the content team to produce engaging visual content</li><li>Stay updated with the latest AI tools, trends, and workflows</li></ul><p><b>Required Skills &amp; Experience</b></p><ul><li>Proven experience in AI video tools (Runway, Pika, Synthesia, HeyGen, etc.)</li><li>Strong knowledge of prompt engineering (ChatGPT, Midjourney, Stable Diffusion, etc.)</li><li>Understanding of storytelling, video editing, and visual composition</li><li>Ability to turn ideas into compelling AI-generated visuals</li><li>Experience in social media or YouTube content creation is a plus</li></ul><p><b>Preferred Qualifications</b></p><ul><li>Background in media, design, animation, or AI-related fields</li><li>Portfolio showcasing AI-generated video projects</li><li>Knowledge of tools like Adobe Premiere Pro / After Effects is a plus</li></ul><p><b>How to Apply</b></p><p>Please share:</p><ul><li>Your portfolio</li><li>Tools you have worked with</li><li>Sample AI-generated videos</li><li>Brief explanation of your prompt workflow</li></ul><p>Form Link: https://forms.gle/tAYKEi81MD8uQbr2A</p><p>Job Type: Full-time</p><p>Pay: Rs150,000.00 - Rs200,000.00 per month</p><p>Education:</p><ul><li>Bachelor's (Required)</li></ul><p>Work Location: In person</p>

AI Video Creation & Prompt Engineering Specialist

Ballast Research

<div><div><i>The Atlantic</i> is seeking a short-term producer to join the team making a new weekly podcast hosted by David Brooks. The ideal candidate will have a curiosity and familiarity with the world of the humanities, history and intellectual life. The producer will be responsible for supporting host research and working with the senior producer to manage bookings, and work on show prep and recording logistics. This person will report to the senior editor of the show and will work closely with the show&rsquo;s host, senior producer, and engineer. This is a full-time position for up to one year.</div><div></div><div>
Responsibilities include:</div><ul><li><div>
Working with the host and editor to maintain editorial excellence</div></li><li><div>
Work with the senior producer on end-to-end production of the show, from pre- to post-production, including:</div><ul><li><div>
Booking guests</div></li><li><div>
Researching guests and topics</div></li><li><div>
Cutting episodes</div></li></ul></li><li><div>
Work with teams across <i>The Atlantic</i>, including legal, art, audience, copy desk, story editors, and fact-checkers to ensure the highest-quality production standards</div></li><li><div>
Work with senior producer booking recording sessions, ensuring proper setup of lighting, audio, and camera equipment to ensure a smooth recording experience for the host and guests</div></li><li><div>
Edit and enhance video content, adding graphics, transitions, and other elements to create a polished final product</div></li><li><div>
Ensure consistency in visual and audio quality across all episodes</div></li><li><div>
Collaborate with audience team to create promotional video clips for social media</div></li><li><div>
Handle all audio uploading to video and audio platforms</div></li><li><div>
The role will at times include night, early-morning, and weekend work.</div></li></ul><div></div><div>
Qualifications of the ideal candidate:</div><ul><li><div>
Proven experience in video production and editing (preferably in podcasting and journalism)</div></li><li><div>
Proficiency in taping and editing softwares, such as Riverside, Adobe Premiere Pro, or Final Cut Pro</div></li><li><div>
Strong understanding of lighting, audio, and camera operation for high-quality video production</div></li><li><div>
Experience with remote recording workflows</div></li><li><div>
Outstanding editorial judgment, and strong communication and collaboration skills</div></li><li><div>
Demonstrated track record of producing high-quality work on ambitious deadlines and experience finding creative solutions to editorial problems</div></li><li><div>
Familiarity with YouTube and podcast distribution platforms</div></li><li><div>
Motion graphics and animation experience preferred</div></li></ul><div></div><div>
Salary minimum: $85,000; Salary maximum: $100,000</div><div>
This role is based in Washington D.C.</div><div></div><div>
About The Atlantic:</div><div></div><div>
The Atlantic has, for more than 160 years, advanced ideas that matter and sparked global conversation on the most important issues of our time. We aim to bring clarity and original thinking to questions of consequence, on topics ranging from politics, the economy, and global affairs to technology, science, and culture. As the third-longest-running magazine in America, we find ourselves at a remarkable moment: one of both continuation and transformation, of upholding our legacy while continuously reinventing ourselves for the future.</div><div>
_____________</div><div>
The Atlantic Monthly Group LLC (&quot;The Atlantic&quot;) is an Equal Opportunity Employer. The Atlantic is committed to diversity and encourages members of traditionally underrepresented communities to apply, including women, LGBTQ people, people of color, and people with disabilities. We do not discriminate against our applicants because of race, color, religion, sex (including gender identity, sexual orientation, and pregnancy), national origin, age, disability, veteran status, genetic information, or any other status protected by applicable law.</div><div></div><div><i>
Job offers to work at The Atlantic are contingent upon the candidate&rsquo;s successful completion of reference checks and compliance with The Atlantic's COVID-19 vaccination policy. The Atlantic requires all employees to be vaccinated against COVID-19, including subsequent boosters, and submit proof of vaccination status. Employees who cannot receive the vaccine because of a disability/medical contraindication or sincerely-held religious belief may request an accommodation (e.g., an exemption) to this requirement.</i></div></div>

Producer, Video Podcasts (Short Term)

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