audio engineer

Apple

<p>Worldwide Events and Experiences brings the best of Apple to life, showcasing our products, services and the values that drive our company. From global product launches and tailored creator experiences to impactful partner engagements and inspiring internal events, this team is charged with managing the end-to-end planning, production, in person experiences and all the unique details that make these events special. The team includes professionals with backgrounds in event design, management, operations, broadcast, and production. We&rsquo;re looking for inventive and collaborative people from a variety of creative fields. If that&rsquo;s you, then your next home may be here!<br>
<br>
The Audio Engineer is a hands on technical leadership role responsible for delivering premium live and broadcast audio experiences for Apple&rsquo;s Worldwide Events. This role owns the operation, maintenance, and evolution of our audio systems, ensuring clarity, reliability, and aesthetic excellence across technical rehearsals, live events, and broadcasts located at Steve Jobs Theater, various Apple facilities and remote locations.<br>
<br>
<b>Description</b><br>
<br>
Working in close partnership with the Technical Team and cross functional internal teams, the Audio Engineer sets and maintains the highest production standards while leading audio crews and vendor partners. Success in this role requires deep technical expertise, meticulous preparation, and calm execution in executive-facing environments with zero margin for error.&quot;,&quot;responsibilities&quot;:&quot;Own the design, configuration, operation, and long term health of all Steve Jobs Theater (SJT) audio systems.<br>
<br>
Lead setup and maintenance of PA, immersive audio Dolby ATMOS, monitoring, RF, intercom, playback, and recording systems.<br>
<br>
Operate and support digital mixing platforms including SSL Live, Avid S6L, DiGiCo, and Yamaha.<br>
<br>
Design, deploy, and manage Dante-based audio networks, including redundancy, time code, QoS, and monitoring.<br>
<br>
Maintain and operate theater and remote production sound systems.<br>
<br>
Support immersive and spatial audio workflows, ensuring accurate translation and audience experience.<br>
<br>
Ensure systems are aligned, tuned, documented, with signal flow diagrams, and production ready for rehearsals, executive QCs, and live events.<br>
<br>
Lead hands on audio operation for all SJT events and select external or remote productions as required.<br>
<br>
Mix and supervise live audio for executive presentations, product launches, comms meetings and broadcast productions.<br>
<br>
Monitor audio quality in real time, ensuring intelligibility, tonal balance, latency control, and broadcast readiness.<br>
<br>
Troubleshoot and resolve audio issues quickly and calmly during rehearsals, and live events.<br>
<br>
Ensure seamless integration between in venue audio systems, broadcast audio paths, intercom, and show control.<br>
<br>
Collaborate closely with Transmission, Video Engineering, Production teams, and cross-functional partners.<br>
<br>
Support special events, remote video shoots, and studio style productions<br>
<br>
Record, edit, and master audio content as needed.<br>
<br>
Coordinate rental, specification, and deployment of supplemental audio systems.<br>
<br>
Create equipment budgets, forecasts, and technical recommendations.<br>
<br>
This role requires up to 30% travel, including both domestic and international travel, based on project needs.<br>
<br>
Schedule varies based on the dynamic production calendar.<br>
<br>
Flexibility is required; this role may exceed 40 hours per week during peak production periods.<br>
<br>
<b>Preferred Qualifications</b><br>
<br>
Experience with immersive and spatial audio systems.<br>
<br>
Strong understanding of audio networking, including Dante, redundancy, and system design.<br>
<br>
Advanced experience with SSL Live consoles and large-format digital mixing environments.<br>
<br>
Commitment to safe work practices and high production standards.<br>
<br>
Contribute to continuous improvement of workflows, systems, and best practices.<br>
<br>
<b>Minimum Qualifications</b><br>
<br>
7+ years of proven experience supporting large-scale productions, touring, or medium to large size performance theaters or amphitheaters.<br>
<br>
Demonstrated expertise in theatrical, concert, and event audio mixing.<br>
<br>
Deep knowledge of professional audio systems, signal flow, and system integration, Audio networking: Dante, AES67, AVB.<br>
<br>
Strong understanding of acoustics and audio device selection and placement.<br>
<br>
Experience working directly with executives, presenters, talent, designers, and stagehands.<br>
<br>
Apple is an equal opportunity employer that is committed to inclusion and diversity. We seek to promote equal opportunity for all applicants without regard to race, color, religion, sex, sexual orientation, gender identity, national origin, disability, Veteran status, or other legally protected characteristics. Learn more about your EEO rights as an applicant .<br>
<br>
<b>Pay &amp; Benefits</b><br>
<br>
At Apple, base pay is one part of our total compensation package and is determined within a range. This provides the opportunity to progress as you grow and develop within a role. The base pay range for this role is between $146,800 and $221,200, and your base pay will depend on your skills, qualifications, experience, and location.<br>
<br>
Apple employees also have the opportunity to become an Apple shareholder through participation in Apple's discretionary employee stock programs. Apple employees are eligible for discretionary restricted stock unit awards, and can purchase Apple stock at a discount if voluntarily participating in Apple's Employee Stock Purchase Plan. You'll also receive benefits including: Comprehensive medical and dental coverage, retirement benefits, a range of discounted products and free services, and for formal education related to advancing your career at Apple, reimbursement for certain educational expenses - including tuition. Additionally, this role might be eligible for discretionary bonuses or commission payments as well as relocation. Learn more about Apple Benefits.<br>
<br>
Note: Apple benefit, compensation and employee stock programs are subject to eligibility requirements and other terms of the applicable plan or program.</p>

Audio Engineer

Pixelogic Media

<div>
 We seek the brightest minds and the A-players to innovate and disrupt our industry and to make it easier for our clients to offer premium content quickly across physical and digital media platforms worldwide. No matter the product or service, our approach is simple: deliver advanced media solutions with exceptional service.
 <br/>
 <br/>
 To support our continued expansion, we are currently looking for "Roll Up Your Sleeves" problem solvers that can work as part of a world-class team. Our work environment is unique. So is the right candidate. This is a fantastic opportunity to join a forward-looking company that offers an exciting, creative and dynamic work environment with tremendous career growth potential.
 <br/>
 <br/>
 To date, we've delivered thousands of titles to iTunes, Google, Netflix, Amazon, and others. We've created a large percentage of iTunes Extras titles available on the App Store, developed the specification of and delivered the first Cross-Platform Extras titles, authored more than eight-thousand DVDs, two-thousand Blu-rays, as well as award-winning tablet and mobile apps.
 <br/>
 <br/>
 <strong>
  Job Qualifications
  <br/>
  <br/>
 </strong>
 <ul>
  <li>
   Bachelor degree
  </li>
  <li>
   2+ years in audio post-production or media service projects for film and tv
  </li>
  <li>
   Excellent Pro Tools operational skills, including the use of video in Pro Tools
  </li>
  <li>
   Passionate about customer experience and customer service excellence
  </li>
  <li>
   Non-linear video workstation editor skills
  </li>
  <li>
   Strong technical skills and knowledge of tools and devices in digital media
  </li>
  <li>
   Excellent communication skills over phone and email
  </li>
  <li>
   Excel and other MS Office application software
  </li>
  <li>
   Deep sense of urgency and ability to work in a fast-paced environment
  </li>
  <li>
   Problem solver with creative and innovative approach with ability to think out of the box
  </li>
  <li>
   Outstanding attention to detail and ability to plan complex projects with urgency
  </li>
  <li>
   A positive attitude when experiencing obstacles and enthusiastic to get things done
   <br/>
   <br/>
  </li>
 </ul>
 <strong>
  Requirements
  <br/>
  <br/>
 </strong>
 The audio engineer will be responsible for jobs related to audio and media post-production services. Primary responsibilities include preparing and delivering media content. This includes Pro Tools audio sessions, video content, and media packages (audio, video, subtitles, and closed captions). Candidate must be very proficient in Pro Tools within a post-production background. General proficiency in video types, SMPTE timecode, frame rates, codecs, and various video or audio file types is expected. Candidate must have a strong understanding, efficiency, and skillset in Avid Pro Tools, with some experience in operating non-linear video editors (example: Adobe Premiere) and the ability to understand subtitles and closed captions. Experience is required in working with all common audio formats, sample rates, video frame rates, including traditional multi-channel audio configurations (2.0, 5.1, 7.1). Attention to detail, excellent time management and a perfectionist mind-set is paramount in this role.
 <br/>
 <br/>
 <ul>
  <li>
   Utilizing various software and production tools to transform media to the appropriate spec (ProTools, Final Cut Pro, Adobe Suite, , etc.)
  </li>
  <li>
   Pre-processing media materials for Feature and TV shows
  </li>
  <li>
   Reviewing QC notes and troubleshooting
  </li>
  <li>
   Updating workflows according to client specifications as needed
  </li>
  <li>
   Continuously researching and identifying new tools and systems to enhance operational workflows
  </li>
  <li>
   Other tasks as assigned
   <br/>
   <br/>
  </li>
 </ul>
 <strong>
  Why should you join us?
  <br/>
  <br/>
 </strong>
 At Pixelogic, we pride ourselves on fostering a supportive and engaging environment. Our comprehensive benefits include top-notch medical and social insurance fully covered for you and your family, ongoing training and development opportunities, and fun department outings to boost team spirit. Enjoy delicious catered meals, unlimited snacks and drinks, and a fun office activity area for games and stress relief. We also provide free internet for remote work, convenient office transportation, and a rewarding referral bonus system.
</div>


Octagon Media

<p><b>Overview</b><br/>Join our dynamic creative team as a Assitant Sound Engineer, where your expertise in audio and sound design will elevate our multimedia projects to new heights! In this role, you will be responsible for capturing and mixing high-quality audio for live productions. This paid position offers an exciting opportunity to work with cutting-edge equipment and collaborate with talented videographers and content creators to produce compelling visual broadcasts for TV and live stream.</p><p><b>Responsibilities</b></p><ul><li>Operate and maintain professional audio equipment during filming, recording sessions and live events to ensure pristine sound quality.</li><li>Capture high-quality audio recordings on set or in studio environments, utilizing microphones, mixers and signal processing tools.</li><li>Manage sound libraries and organize audio assets for efficient retrieval during editing processes.</li><li>Assist in troubleshooting technical issues related to audio signal processing or recording equipment to ensure smooth production workflows.</li></ul><p><b>Requirements</b></p><ul><li>Proven experience in sound engineering or audio post-production within multimedia or film environments.</li><li>Experience with capturing high-quality sound on location or in studio settings.</li><li>Ability to work efficiently under tight deadlines while maintaining attention to detail.</li><li>Excellent communication skills and a collaborative mindset to work effectively with creative teams.</li><li>Join us in shaping immersive audiovisual experiences! We&rsquo;re dedicated to fostering a vibrant environment where your skills can grow while contributing to innovative content creation projects that inspire audiences worldwide for a local Baptist church.</li></ul><p>Pay: $15.00 - $25.00 per hour</p><p>Work Location: In person</p>

Assistant Sound Engineer

The New York Public Library

<div>
 <p>
  <strong>
   Department:
  </strong>
  Collections
 </p>
 <p>
  <strong>
   Location:
  </strong>
  Library for the Performing Arts
 </p>
 <p>
  <strong>
   Compensation:
  </strong>
  $70,000 - $77,000 / year
  <br/>
  <br/>
 </p>
 <strong>
  Description
  <br/>
  <br/>
 </strong>
 <strong>
  Overview
  <br/>
 </strong>
 The New York Public Library seeks an audio engineer to join our in-house Audio and Moving Image (AMI) digitization program. The AMI Preservation program (AMIP) is charged with preserving and providing access to the Research Libraries&rsquo; extensive collection of audiovisual materials&mdash;including historical recordings and at-risk 20th-century media formats&mdash;through digitization and stringent preservation standards. Reporting to the Manager of Audio and Moving Image Preservation, the Engineer will oversee the operation of one of two AMIP audio digitization labs, ensuring that daily audio digitization operations and quality standards are met while maintaining a robust pipeline of preservation work. The ideal candidate is highly skilled in audio digitization and preservation, organized, and efficient.
 <br/>
 <br/>
 While located at the Library for the Performing Arts, the Engineer will carry out the preservation assessment, treatment, and reformatting of recordings held across the Research Libraries. They will also be responsible for equipment calibration and maintenance, and provide input and feedback on technology and workflow development. The position will advise on media preservation issues, and participate in quality assurance, and program documentation.
 <br/>
 <br/>
 <strong>
  We are looking for someone we can count on to:
  <br/>
  <br/>
 </strong>
 <strong>
  Own
 </strong>
 :
 <ul>
  <li>
   The operation of one of two AMIP audio digitization labs, including preparation and treatment of media, digitization, file editing and post-production, and equipment care and calibration
  </li>
  <li>
   Pre- and post-digitization logistics for this audio lab, ensuring timely and accurate completion of audio digitization projects from physical media handling to post-digitization validation processes
  </li>
  <li>
   The tracking of key performance metrics for the audio lab to demonstrate progress and maintain accountability for projects
  </li>
 </ul>
 <strong>
  Teach
 </strong>
 :
 <ul>
  <li>
   Lab staff and cross-functional teams about evolving audio digitization practices, quality assurance, and equipment care
  </li>
  <li>
   Colleagues about emerging trends in audio preservation and the tools/software that support them
  </li>
 </ul>
 <strong>
  Learn:
 </strong>
 <ul>
  <li>
   The unique content, formats, and preservation requirements of the Library&rsquo;s extensive and diverse audio collections
  </li>
  <li>
   The audio lab&rsquo;s digitization workflows, including in-house scripts to assist with efficient file processing and metadata organization
  </li>
  <li>
   New technologies, software, and digitization strategies in order to scale and continuously improve audio lab processes
  </li>
 </ul>
 <strong>
  Improve
 </strong>
 :
 <ul>
  <li>
   Communication channels and reporting mechanisms so that AMI lab managers have insight into audio digitization timelines and overall lab productivity
  </li>
  <li>
   Technical workflows and documentation to enhance efficiency, standardization, and quality control outcomes across audio preservation projects
  </li>
  <li>
   Digitization and equipment operation knowledge by engaging in robust professional development and field-specific training
  </li>
 </ul>
 <strong>
  Some expectations for this role are that within:
  <br/>
  <br/>
 </strong>
 <strong>
  1 month
 </strong>
 , this person will:
 <ul>
  <li>
   Have a working understanding of NYPL digitization specifications and lab equipment capabilities
  </li>
 </ul>
 <strong>
  3 months
 </strong>
 , this person will:
 <ul>
  <li>
   Have full understanding and ability to execute specifications and workflows
  </li>
 </ul>
 <strong>
  6 months and beyond
 </strong>
 , this person will:
 <ul>
  <li>
   Have the expertise and ability to represent all specifications and procedures to external parties
  </li>
  <li>
   Contribute to program and division specifications, workflow, and strategy discussions
   <br/>
  </li>
 </ul>
 <strong>
  Responsibilities
  <br/>
 </strong>
 Reporting to the Manager of the Audio and Moving Image Preservation Program, the Media Preservation Engineer (audio) will:
 <ul>
  <li>
   Perform preservation treatment and reformatting for the full range of obsolete, still-in-use, and emerging audio formats, from analog to digital (discs, cylinders, tape, etc)
  </li>
  <li>
   Create preservation master, production, service, and metadata files according to AMIP specifications
  </li>
  <li>
   Use a wide range of software, scripts and other tools to perform this work.
  </li>
  <li>
   Calibrate and maintain current and obsolete equipment
  </li>
  <li>
   Perform quality assurance activities
  </li>
  <li>
   Assess and recommend new tools and equipment
  </li>
  <li>
   Quality control of deliverables and preparation of digital assets for repository ingest.
  </li>
  <li>
   Participate in overall program and workflow development
  </li>
  <li>
   Participate in Library-wide activities such as disaster response and recovery, and education and outreach activities
  </li>
  <li>
   Stay abreast of new technology and emerging best practices in the field, and pays attention to developments in professional organizations such as AES, IASA, ARSC.
  </li>
  <li>
   Perform other duties as assigned
   <br/>
   <br/>
  </li>
 </ul>
 <strong>
  Required Education, Experience &amp; Skills
  <br/>
  <br/>
 </strong>
 <strong>
  Required Education &amp; Certifications
 </strong>
 <ul>
  <li>
   Bachelor&rsquo;s degree, or degree in Audio Engineering, Library/Information Science, Music Technology, Electrical Engineering, or a related field preferred
  </li>
 </ul>
 <strong>
  Required Experience
 </strong>
 <ul>
  <li>
   2-5 years of demonstrated experience in audio preservation, including media identification; physical treatment; playback, signal extraction, and analog-to-digital conversion; production and specification of preservation master files, digital derivatives, and metadata
  </li>
  <li>
   Demonstrated experience in the preservation reformatting of legacy analog formats (open-reel tape, cassettes, and grooved discs)
  </li>
  <li>
   Demonstrated experience in the preservation and reformatting of physical digital formats (such as DAT, ADAT, etc.)
  </li>
  <li>
   Hands-on experience with at least one professional digital audio workstation software.
  </li>
  <li>
   Working understanding of the audio preservation standards and best practice documents developed by IASA and AES
  </li>
  <li>
   Ability to perform basic maintenance and calibration of current and obsolete audio playback equipment
  </li>
  <li>
   Experience in the preservation reformatting of full range of obsolete to current audio formats, to include cylinders, wires, dictation formats, and optical media
  </li>
  <li>
   Experience with file analysis, digital asset packaging, and command-line scripting
  </li>
 </ul>
 <strong>
  Required Skills
 </strong>
 <ul>
  <li>
   Comprehensive knowledge of audio preservation engineering, including the calibration of legacy playback systems and the principles of high-fidelity signal extraction and A/D conversion
  </li>
  <li>
   Excellent critical listening/viewing skills and evaluation of typical issues in reformatting legacy media
  </li>
  <li>
   Excellent skills in evaluating and handling rare, fragile, or damaged media
  </li>
  <li>
   Excellent judgment, problem-solving skills and strong commitment to high quality and productivity
  </li>
  <li>
   Excellent organizational skills, high attention to detail, with the ability to set priorities and complete work under pressure of production deadlines
  </li>
  <li>
   Awareness of leading trends in digitization, and an eagerness to expand the scope of digitization possibilities at NYPL
  </li>
 </ul>
 <strong>
  Managerial/Supervisory Responsibilities
  <br/>
 </strong>
 N/A
 <br/>
 <br/>
 <strong>
  More...
  <br/>
  <br/>
 </strong>
 <strong>
  Core Values
  <br/>
 </strong>
 <em>
  All team members are expected and encouraged to embody the NYPL Core Values:
 </em>
 <ul>
  <li>
   Be
   <strong>
    Helpful
   </strong>
   to patrons and colleagues
  </li>
  <li>
   Be
   <strong>
    Resourceful
   </strong>
   in solving problems
  </li>
  <li>
   Be
   <strong>
    Curious
   </strong>
   in all aspects of your work
  </li>
  <li>
   Be
   <strong>
    Welcoming
   </strong>
   and
   <strong>
    Inclusive
   </strong>
  </li>
 </ul>
 <strong>
  Work Environment
 </strong>
 <ul>
  <li>
   Primarily an in-house lab environment located at the Library for the Performing Arts at Lincoln Center
  </li>
  <li>
   May involve occasional travel to other NYPL locations or off-site storage facilities
  </li>
  <li>
   Possible exposure to dust, mold, and chemicals used in preservation and treatment of media
  </li>
 </ul>
 <strong>
  Physical Duties
 </strong>
 <ul>
  <li>
   Ability to lift and move a variety of media carriers, boxes, and equipment (up to 40 lbs.)
  </li>
  <li>
   May involve repetitive motions related to equipment operation
  </li>
 </ul>
 <strong>
  Pre-Placement
 </strong>
 <strong>
  Physical Required?
  <br/>
 </strong>
 No
 <br/>
 <br/>
 <strong>
  Union/Non Union
  <br/>
 </strong>
 Non-Union
 <br/>
 <br/>
 <strong>
  FLSA Status
  <br/>
 </strong>
 Exempt
 <br/>
 <br/>
 <strong>
  Schedule
  <br/>
 </strong>
 Onsite, 35 hours per week, Monday to Friday, 9 am - 5 pm
 <br/>
 <br/>
 <em>
  This job description represents the types and levels of responsibilities that will be required of the position and shall not be construed as a declaration of all of the specific duties and responsibilities for the role. Job duties may change if Library priorities change. Employees may be directed to perform job-related tasks other than those specifically presented in this description as needed.
  <br/>
  <br/>
 </em>
 <strong>
  <em>
   The New York Public Library
  </em>
 </strong>
 <em>
 </em>
 <strong>
  <em>
   Salary Statement
   <br/>
   <br/>
  </em>
 </strong>
 At the Library, we believe that pay transparency and pay equity are important to ensuring we source the best candidates and keep the best employees. When making a determination as to the appropriate salary for a candidate, we consider a variety of factors such, including, but not limited to, the position requirements, the skills, prior experience, and educational background required or preferred for the job, the scope and impact of the role within the organization, internal peer equity, and the candidate's specific training, experience, education level, and skills. No single factor is conclusive; the Library reserves the right to consider any and all relevant factors and make a decision consistent with its policies.
 <br/>
 <br/>
 Union Salaries are determined by collective bargaining agreement(s).
</div>


Media Preservation Engineer, Audio

Staff Resources, Inc.

<div><p>Skills Required:</p><p>
certain skills and qualifications we are looking for:</p><ul><li>
Proficiency in audio editing software such as Adobe Audition, Audacity, or Pro Tools.</li><li>
Strong understanding of audio production techniques and principles.</li><li>
Excellent communication skills to collaborate effectively with team members.</li><li>
Attention to detail and a keen ear for sound quality.</li><li>
Creativity in storytelling and sound design.</li><li>
At least 3 years' experience filing, editing content, creating highlight reels.</li></ul><p>
Job Responsibilities:</p><ul><li>
Edit and assemble recorded audio segments into a polished final product.</li><li>
Produce 5 reels per episode.</li><li>
Implement sound effects and music to enhance storytelling.</li><li>
Work closely with hosts to refine episode content and structure.</li><li>
Ensure all audio files meet quality standards before publication.</li><li>
Producing content for Instagram and YouTube.</li></ul><p>
Education:</p><p>
A specific degree is not necessary, relevant education is as followed.</p><ul><li>
Audio Engineering</li><li>
Communications</li><li>
Media Production</li></ul><div><div><div><b><br>
Responsibility</b></div><div><b> Description</b></div></div><br>
<div><div>
Audio Editing</div><div> Trim, mix, and balance tracks to produce a cohesive, engaging episode.</div></div><br>
<div><div>
Sound Enhancement</div><div> Reduce noise, equalize levels, and ensure consistent audio quality.</div></div><br>
<div><div>
MusicEffects Integration</div><div> Add music, transitions, and sound effects to elevate storytelling.</div></div><br>
<div><div>
Collaboration</div><div> Work closely with producers and hosts to maintain creative direction.</div></div><br>
<div><div>
Quality Assurance</div><div> Review final audio for clarity and flow before publication.</div></div></div></div><p></p>

Videographer - Podcast Editor

<div><h3 class="jobSectionHeader"><b>Description</b></h3><div><br>
<b>
Overview</b><br>
The Library for the Performing Arts (LPA) hosts over 200 public programs and events in our 200+ seat auditorium, in our flexible spaces, and on the larger Lincoln Center campus, all in service to highlighting its archival holdings and inspiring the next generation of artists and arts lovers. This position is a member of the Programming and Production team, which is responsible for the technical production of Public Programs, Events, and Exhibitions at the Library for the Performing Arts.</div><div></div><div><br>
<b>
Responsibilities</b><br>
Reporting to the Production Manager, the Projectionist/Technician is responsible for screening video and films of various formats, live audio engineering for events/programs, and installation of Audio/Visual Equipment across LPA&rsquo;s Galleries, the Bruno Walter Auditorium, and other programmable spaces.</div><ul>
<li>Execute all aspects of film screening, including 16mm and 35mm. Operate digital projection equipment to screen digital/video content in multiple formats including computer playback, DCP server playback, BluRay, DVD, and VHS.</li>
<li>Live audio mixing for events and programs, ranging from lectures and conversations to concerts and other performances</li>
<li>Collaboratively work with Production &amp; Exhibitions departments, to complete the installation, troubleshooting, repair, and maintenance of any audio/visual components in LPA&rsquo;s Exhibitions</li>
<li>Operate lighting console to set various house/stage lighting presets for programs, events, and screenings</li>
<li>Other related duties as necessary</li></ul><br>
<h3 class="jobSectionHeader"><b>
Required Education, Experience &amp; Skills</b></h3><div><b><br>
Required Education &amp; Certifications</b></div><ul><li>
Must be a member of IATSE Local 306, or become a member of Local 306</li></ul><div><b>
Required Experience</b></div><ul>
<li>Experience in film and digital projection</li>
<li>Experience with live audio (e.g. A1 or A2)</li>
<li>Experience with digital projectors, playback devices, and DCP</li>
<li>Experience in event production, with an ability to communicate effectively with non-technical stakeholders</li>
</ul><div><b>Required Skills</b></div><ul>
<li>Exceptional knowledge of professional grade 16mm and 35mm projectors, principles of film inception and the handling of archival materials</li>
<li>Skilled in audio engineering for live events</li>
<li>Ability to troubleshoot commercial-grade audio-visual &amp; theatrical equipment and perform basic maintenance</li>
<li>Knowledge of film screening process</li>
</ul><div><b>Managerial/Supervisory Responsibilities</b></div><ul><li>
N/A</li></ul><h3 class="jobSectionHeader"><b><br>
More...</b></h3><div><br>
<b>
Core Values</b><br>
<i>All team members are expected and encouraged to embody the NYPL Core Values:</i>
</div><ul><li>Be <b>Helpful</b> to patrons and colleagues</li>
<li>Be <b>Resourceful</b> in solving problems</li>
<li>Be <b>Curious</b> in all aspects of your work</li>
<li>Be <b>Welcoming</b> and <b>Inclusive</b>
</li></ul><div><b>Work Environment</b></div><ul>
<li>Performance spaces/theater environment</li>
<li>Galleries</li>
<li>Library/office setting</li>
</ul><div><b>Physical Duties</b></div><ul>
<li>Lifting up to 40 lbs may be required</li>
<li>Bending, stretching, and reaching frequently</li>
<li>Ability to stand for periods of time</li>
<li>May require travel within NYC</li>
</ul><div><b>Pre-Placement</b> <b>Physical Required?</b>
</div><ul><li>No</li></ul><div><b>
Union/Non Union</b></div><ul><li>
Union - Local 306</li></ul><div><b>
FLSA Status</b></div><ul><li>
Non-Exempt</li></ul><div><b>
Schedule</b></div><ul><li>
As needed, based on installations, events, and programs. Nights and weekends to be expected. Approximately 3-6 internally and externally produced events are scheduled per week.</li></ul><div>
<i>This job description represents the types and levels of responsibilities that will be required of the position and shall not be construed as a declaration of all of the specific duties and responsibilities for the role. Job duties may change if Library priorities change. Employees may be directed to perform job-related tasks other than those specifically presented in this description as needed.</i><br>
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<b><i>The New York Public Library</i></b><i> </i><b><i>Salary Statement</i></b>
</div><div>At the Library, we believe that pay transparency and pay equity are important to ensuring we source the best candidates and keep the best employees. When making a determination as to the appropriate salary for a candidate, we consider a variety of factors such, including, but not limited to, the position requirements, the skills, prior experience, and educational background required or preferred for the job, the scope and impact of the role within the organization, internal peer equity, and the candidate's specific training, experience, education level, and skills. No single factor is conclusive; the Library reserves the right to consider any and all relevant factors and make a decision consistent with its policies.<br>
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Union Salaries are determined by collective bargaining agreement(s).</div><h3 class="jobSectionHeader"><b><br>
About The New York Public Library</b></h3><div>
The New York Public Library is a free provider of education and information for the people of New York and beyond. With 92 locations&mdash;including research and branch libraries&mdash;throughout the Bronx, Manhattan, and Staten Island, the Library offers free materials, computer access, classes, exhibitions, programming and more to everyone from toddlers to scholars, and has seen record numbers of attendance and circulation in recent years. The New York Public Library serves more than 18 million patrons who come through its doors annually and millions more around the globe who use its resources at www.nypl.org.</div></div>

Projectionist/Technician

Advantage Audio Visual

<p><b>AV (Audio-Visual) Technician (Part Time to Full Time Hourly $18.00-$25.00 Per Hour)</b></p><p>An AV (Audio-Visual) Technician plays a crucial role in setting up, operating, and maintaining audio-visual equipment used in various settings such as conferences, concerts, meetings, and classrooms. Below is a comprehensive job description for an AV Technician:</p><p><b>Job Summary:</b></p><p>The AV Technician is responsible for the installation, operation, maintenance, and troubleshooting of audio-visual equipment to ensure smooth operation of events and presentations. This role involves working closely with clients, event coordinators, and other team members to deliver high-quality AV services.</p><p><b>Key Responsibilities:</b></p><ul><li><b>Installation and Setup:</b></li><li>Install and set up audio-visual equipment, including but not limited to microphones, speakers, video screens, projectors, video monitors, recording equipment, audio mixing boards, lighting, pipe and drape, and truss.</li><li>Ensure all equipment is properly configured and tested before events.</li><li><b>Operation:</b></li><li>Operate audio-visual equipment during events, ensuring smooth and seamless operation.</li><li>Adjust audio levels, video settings, and lighting to suit the event's requirements.</li><li><b>Maintenance:</b></li><li>Perform regular maintenance on AV equipment to ensure it is in good working condition.</li><li>Troubleshoot and repair any issues that arise with AV equipment while in the field.</li><li><b>Customer Service:</b></li><li>Communicate effectively with clients to understand their AV needs and provide technical support.</li><li>Assist clients with AV presentations and provide guidance on the use of AV equipment.</li><li><b>Inventory Management:</b></li><li>Maintain and properly handle all AV equipment inventory and ensure all items are accounted for.</li><li>Properly and safely handle equipment at all times during transport, set up, during events and during tear down</li></ul><p><b>Skills and Qualifications:</b></p><ul><li><b>Technical Skills:</b></li><li>Proficient in the use of audio-visual equipment, including but not limited to microphones, speakers, video projectors, recording equipment, audio mixers, and lighting.</li><li>Strong troubleshooting skills to quickly identify and resolve technical issues.</li><li>Knowledge of various AV software and control systems.</li><li><b>Soft Skills:</b></li><li>Excellent communication and customer service skills.</li><li>Ability to work well under pressure and manage time effectively.</li><li>Attention to detail and a high level of accuracy.</li><li><b>Physical Requirements:</b></li><li>Ability to lift and carry heavy AV equipment.</li><li>Willingness to work flexible hours, including evenings and weekends and holidays, depending on event schedules.</li></ul><p><b>Education and Experience:</b></p><ul><li><b>Education:</b></li><li>High school diploma or equivalent required.</li><li>Certification or degree in a related field (e.g., Audio Engineering, Electronics) preferred.</li><li><b>Experience:</b></li><li>Previous experience working with audio-visual equipment in a professional setting.</li><li>Experience in live event production or a similar field is advantageous.</li></ul><p><b>Work Environment:</b></p><p>The AV Technician will work in various environments, including conference centers, hotels, educational institutions, and outdoor venues and warehouses. The role may require travel to different locations and the ability to work in various conditions, including standing for long periods and handling equipment in different weather conditions.The role may require working outside of regular business hours to meet deadlines, interface with clients or attend events.</p><p><b>Compensation and Benefits:</b></p><p>This position offers a competitive hourly wage ranging from $18.00 to $25.00 based on experience and qualifications. In addition, eligible employees may receive a comprehensive benefits package, which can include:</p><ul><li>Health, dental, and vision insurance</li></ul><ul><li>Paid time off (vacation, holidays, and sick leave)</li></ul><ul><li>Retirement plan options</li></ul><p>Details regarding benefit eligibility and enrollment will be provided during the hiring process.</p><p>Job Type: Part-time</p><p>Pay: $18.00 - $25.00 per hour</p><p>Benefits:</p><ul><li>401(k)</li><li>Dental insurance</li><li>Health insurance</li><li>Paid time off</li><li>Vision insurance</li></ul><p>Experience:</p><ul><li>Hotel Audio Visual : 1 year (Preferred)</li></ul><p>Work Location: In person</p>

Audio Visual Technician

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