sound engineer

Octagon Media

Overview Join our dynamic creative team as a Assitant Sound Engineer, where your expertise in audio and sound design will elevate our multimedia projects to new heights! In this role, you will be responsible for capturing and mixing high-quality audio for live productions. This paid position offers an exciting opportunity to work with cutting-edge equipment and collaborate with talented videographers and content creators to produce compelling visual broadcasts for TV and live stream.Responsibilities<ul><li>Operate and maintain professional audio equipment during filming, recording sessions and live events to ensure pristine sound quality.</li><li>Capture high-quality audio recordings on set or in studio environments, utilizing microphones, mixers and signal processing tools.</li><li>Manage sound libraries and organize audio assets for efficient retrieval during editing processes.</li><li>Assist in troubleshooting technical issues related to audio signal processing or recording equipment to ensure smooth production workflows.</li></ul>Requirements<ul><li>Proven experience in sound engineering or audio post-production within multimedia or film environments.</li><li>Experience with capturing high-quality sound on location or in studio settings.</li><li>Ability to work efficiently under tight deadlines while maintaining attention to detail.</li><li>Excellent communication skills and a collaborative mindset to work effectively with creative teams.</li><li>Join us in shaping immersive audiovisual experiences! We&rsquo;re dedicated to fostering a vibrant environment where your skills can grow while contributing to innovative content creation projects that inspire audiences worldwide for a local Baptist church.</li></ul>Pay: $15.00 - $25.00 per hourWork Location: In person

Assistant Sound Engineer

FeverUp

<div><div>Hey there!
 
We're Fever, the world's leading tech platform for culture and live entertainment,

Our mission? To democratize access to culture and entertainment. With our proprietary cutting-edge technology and data-driven approach, we're revolutionizing the way people engage with live entertainment.
 
 
Every month, our platform inspires over 300 million people in +40 countries (and counting) to discover unforgettable experiences while also empowering event creators with our data and technology, helping them scale, innovate, and enhance their events to reach new audiences.

Our results? We've teamed up with major industry leaders like Netflix, F.C. Barcelona, and Primavera Sound, presented international award-winning experiences, and are backed by several leading global investors! Impressive, right?

To achieve our mission, we are looking for bar-raisers with a hands-on mindset who are eager to help shape the future of entertainment! 
 
Ready to be part of the experience?

Now, let's discuss this role and what you will do to help achieve Fever's mission.</div><h2 class="jobSectionHeader">
What is Candlelight?</h2>
<ul><li>Candlelight concerts are a unique musical and sensory experience created by the stunning ambience of candlelight. These concerts allow you to enjoy some of the most famous works of classical music in a completely new way and in various spectacular locations.</li>
<li>The concerts highlight talent from upcoming talent to professional musicians</li>
<li>Candlelight is now expanding beyond classical music into other genres that fit well within the experience such as jazz, soul, flamenco, opera, and more.</li>
</ul>
We are seeking Event Managers to join our on site events team to assist and manage Fever Originals' flagship experience, Candlelight. This position is freelance and with flexible hours varying month to month dependent on availability, which may be extended, lead to other Fever Originals event work or permanent opportunities in the future. 
 
Roles and responsibilities include, but are not limited to:
<ul>
<li>Follow instructions (including materials,) provided by the manager to deliver events</li>
<li>Manage and keep to scheduled event timings provided by manager</li>
<li>Implement new or amended production details, company policies and procedures</li>
<li>Artist Liaison</li>
<li>Report and feedback issues and queries to managers</li>
<li>Production management</li>
<li>Handling on site logistical issues</li>
<li>Manage vocal microphone channels and aux music on sound desk, and distribution and use of microphones</li>
<li>Managing and directing soundcheck</li>
<li>Managing all vendors</li>
<li>Briefing and liaising with venue</li>
<li>Directing, managing, supporting and briefing team.</li>
<li>Host event</li>
<li>Main point of contact for event</li>
<li>Dealing with customer queries and complaints</li>
<li>Ensuring high quality execution of event</li>
<li>Event reports and incident report forms</li>
<li>Managing unforeseen circumstances and emergencies</li>
<li>Providing photographs and feedback after each event to manager</li>
<li>Encouraging high performance and implementing improvements with individual team members and the entire team.</li> 
</ul>
Preferred skills and attributes are:
<ul>
<li>2+ years event management experience (preferred)</li>
<li>Keen interest and passion in live music and delivering events (preferred)</li>
<li>Sound engineering skills (desirable)</li>
<li>Public speaking (desirable)</li>
<li>Exceptional customer service (required)</li>
<li>Highly competent in team/people management (required)</li>
<li>Assertive and measured in a high pressure environment (required)</li>
<li>Strong problem solving skills (required)</li>
<li>Can do attitude (required)</li>
<li>Flexible (required)</li>
<li>Leading by example (required)</li>
<li>Works well under pressure (required)</li>
</ul><div>
Thank you for considering joining Fever. We cannot wait to learn more about you!

If you want to learn more about us: Fever's Blog | Tech.Eu |TechCrunch

Fever is committed to creating an inclusive and diverse workspace where everyone's background and ideas count. Our main goal is to find the best possible talent regardless of place of birth, racial or ethnic origin, gender, gender identity, religion, opinion, sexual orientation, disability, pregnancy, marital status, age or caring responsibilities. We encourage everyone to apply!

If you require any kind of accommodation during the selection process please contact our Talent team so we can help you by providing a welcoming and seamless journey.

If you want to know more about how Fever processes your personal data, click here Fever - Candidate Privacy Notice</div></div>

Event Manager - Ankara

Apple

Worldwide Events and Experiences brings the best of Apple to life, showcasing our products, services and the values that drive our company. From global product launches and tailored creator experiences to impactful partner engagements and inspiring internal events, this team is charged with managing the end-to-end planning, production, in person experiences and all the unique details that make these events special. The team includes professionals with backgrounds in event design, management, operations, broadcast, and production. We&rsquo;re looking for inventive and collaborative people from a variety of creative fields. If that&rsquo;s you, then your next home may be here! 
 
The Audio Engineer is a hands on technical leadership role responsible for delivering premium live and broadcast audio experiences for Apple&rsquo;s Worldwide Events. This role owns the operation, maintenance, and evolution of our audio systems, ensuring clarity, reliability, and aesthetic excellence across technical rehearsals, live events, and broadcasts located at Steve Jobs Theater, various Apple facilities and remote locations. 
 
Description 
 
Working in close partnership with the Technical Team and cross functional internal teams, the Audio Engineer sets and maintains the highest production standards while leading audio crews and vendor partners. Success in this role requires deep technical expertise, meticulous preparation, and calm execution in executive-facing environments with zero margin for error.&quot;,&quot;responsibilities&quot;:&quot;Own the design, configuration, operation, and long term health of all Steve Jobs Theater (SJT) audio systems. 
 
Lead setup and maintenance of PA, immersive audio Dolby ATMOS, monitoring, RF, intercom, playback, and recording systems. 
 
Operate and support digital mixing platforms including SSL Live, Avid S6L, DiGiCo, and Yamaha. 
 
Design, deploy, and manage Dante-based audio networks, including redundancy, time code, QoS, and monitoring. 
 
Maintain and operate theater and remote production sound systems. 
 
Support immersive and spatial audio workflows, ensuring accurate translation and audience experience. 
 
Ensure systems are aligned, tuned, documented, with signal flow diagrams, and production ready for rehearsals, executive QCs, and live events. 
 
Lead hands on audio operation for all SJT events and select external or remote productions as required. 
 
Mix and supervise live audio for executive presentations, product launches, comms meetings and broadcast productions. 
 
Monitor audio quality in real time, ensuring intelligibility, tonal balance, latency control, and broadcast readiness. 
 
Troubleshoot and resolve audio issues quickly and calmly during rehearsals, and live events. 
 
Ensure seamless integration between in venue audio systems, broadcast audio paths, intercom, and show control. 
 
Collaborate closely with Transmission, Video Engineering, Production teams, and cross-functional partners. 
 
Support special events, remote video shoots, and studio style productions 
 
Record, edit, and master audio content as needed. 
 
Coordinate rental, specification, and deployment of supplemental audio systems. 
 
Create equipment budgets, forecasts, and technical recommendations. 
 
This role requires up to 30% travel, including both domestic and international travel, based on project needs. 
 
Schedule varies based on the dynamic production calendar. 
 
Flexibility is required; this role may exceed 40 hours per week during peak production periods. 
 
Preferred Qualifications 
 
Experience with immersive and spatial audio systems. 
 
Strong understanding of audio networking, including Dante, redundancy, and system design. 
 
Advanced experience with SSL Live consoles and large-format digital mixing environments. 
 
Commitment to safe work practices and high production standards. 
 
Contribute to continuous improvement of workflows, systems, and best practices. 
 
Minimum Qualifications 
 
7+ years of proven experience supporting large-scale productions, touring, or medium to large size performance theaters or amphitheaters. 
 
Demonstrated expertise in theatrical, concert, and event audio mixing. 
 
Deep knowledge of professional audio systems, signal flow, and system integration, Audio networking: Dante, AES67, AVB. 
 
Strong understanding of acoustics and audio device selection and placement. 
 
Experience working directly with executives, presenters, talent, designers, and stagehands. 
 
Apple is an equal opportunity employer that is committed to inclusion and diversity. We seek to promote equal opportunity for all applicants without regard to race, color, religion, sex, sexual orientation, gender identity, national origin, disability, Veteran status, or other legally protected characteristics. Learn more about your EEO rights as an applicant . 
 
Pay &amp; Benefits 
 
At Apple, base pay is one part of our total compensation package and is determined within a range. This provides the opportunity to progress as you grow and develop within a role. The base pay range for this role is between $146,800 and $221,200, and your base pay will depend on your skills, qualifications, experience, and location. 
 
Apple employees also have the opportunity to become an Apple shareholder through participation in Apple's discretionary employee stock programs. Apple employees are eligible for discretionary restricted stock unit awards, and can purchase Apple stock at a discount if voluntarily participating in Apple's Employee Stock Purchase Plan. You'll also receive benefits including: Comprehensive medical and dental coverage, retirement benefits, a range of discounted products and free services, and for formal education related to advancing your career at Apple, reimbursement for certain educational expenses - including tuition. Additionally, this role might be eligible for discretionary bonuses or commission payments as well as relocation. Learn more about Apple Benefits. 
 
Note: Apple benefit, compensation and employee stock programs are subject to eligibility requirements and other terms of the applicable plan or program.

Audio Engineer

Event Manager - Bursa

Groundlings

TO APPLY:Please reply with a letter of interest and resume to Groundlings@JinjiHR.com.ABOUT THE GROUNDLINGS:The Groundlings Theatre &amp; School is a world-renowned improvisational and sketch comedy institution based in Los Angeles and a cornerstone of the entertainment industry since 1974. Dedicated to developing bold, original comedic voices, The Groundlings provides comprehensive training in improv and sketch writing for students of all levels while presenting year-round live performances created by its acclaimed company of writers and performers. The Groundlings fosters a dynamic, professional environment where creativity thrives both on stage and behind the scenes.POSITION SUMMARY:The Part-Time Sound Board Operator / Mixed Media Computer Operator is responsible for operating and supporting live performance audio, recorded cues, and media elements for performances at The Groundlings Theatre.This role manages real-time sound mixing using the Mackie VLZ4 house board and executes QLab cues for audio and video playback in a fast-paced improvisational and sketch comedy environment. The position requires strong technical proficiency, the ability to troubleshoot audio and video systems quickly, and the adaptability to make on-the-spot adjustments during live performances and rehearsals. Working closely with performers and production staff, this role plays a key part in delivering seamless, high-quality live shows in a collaborative and creative theatre setting.KEY RESPONSIBILITIES■ Operate the Mackie VLZ4 house sound board for live performances and rehearsals.■ Execute and manage QLab audio and video cues, including real-time adjustments as needed.■ Mix live audio for handheld, headset, and hairline microphones as well as the live house band in a fast-paced theatre environment.■ Troubleshoot and resolve audio and video technical issues before and during performances.■ Monitor sound quality and maintain consistent audio levels throughout performances.■ Inspect, maintain, and replace audio and video equipment as necessary, including cables, microphones, projectors, and related components.■ Collaborate closely with directors, performers, stage management, and production staff to support creative and technical needs.■ Adapt quickly to script changes, improvisational elements, and on-the-spot edits.QUALIFICATIONS■ Demonstrated proficiency in live audio mixing, preferably on a Mackie VLZ4 or comparable analog console.■ Strong working knowledge of QLab programming and live cue execution.■ Experience troubleshooting audio and video systems in live performance settings.■ Familiarity with wireless handheld, headset, and hairline microphone systems.■ Previous theatre production experience preferred; experience in improv or sketch comedy strongly recommended.■ Ability to remain calm and responsive under live performance pressure.■ Strong communication and interpersonal skills; ability to work professionally with creative teamsSCHEDULE AND TRAININGEvening availability is required, as typical call times are between 5:00&mdash;6:00pm and are occasionally earlier. Shifts range from 5&mdash;8 hours, depending on rehearsal and performance schedules. Friday and Saturday availability is required.Paid, hands-on training will be provided prior to scheduled shows, based on mutual availability.WHO SHOULD APPLY?■ Experienced live audio technicians looking to expand their professional theatre credits.■ Freelance sound engineers or A1/A2-level technicians seeking consistent weekend work to complement other gigs.■ Audio professionals interested in comedy and entertainment production, particularly those who thrive in improvisational environments requiring quick thinking and adaptability.■ Graduate or advanced undergraduate theatre students with significant live mixing and QLab experience who are ready for professional-level performance environments.■ Retired or semi-retired audio technicians looking for flexible, part-time opportunities in a collaborative and creative theatre setting.PHYSICAL REQUIREMENTSThe physical requirements listed below are representative of those necessary to successfully perform the essential functions of this position. Reasonable accommodations may be made to enable individuals with disabilities to perform these essential functions.■ Ability to remain seated or standing for extended periods during rehearsals and performances (up to 8 hours per shift).■ Ability to use hands and fingers to operate sound boards, computers, and related technical equipment.■ Ability to work in low-light environments typical of live theatrical productions.■ Ability to hear and distinguish audio levels and frequencies in a live theatre environment.■ Ability to communicate effectively in a performance setting.■ Ability to occasionally lift and/or move equipment weighing up to 25 pounds.■ Ability to access control booths, backstage areas, and other theatre spaces, which may include stairs.The Groundlings is an equal opportunity employer. We celebrate diversity and are committed to creating an inclusive environment for all employees. Black, Indigenous, and People of Color are strongly encouraged to apply.Job Type: Part-timePay: $23.00 - $26.00 per hourBenefits:<ul><li>Employee discount</li><li>Flexible schedule</li></ul>Work Location: In person

Part-Time Sound Board Operator / Mixed Media Computer Operator

The New York Public Library

<div>
 
 
 Department:
 
 Collections
 
 
 
 Location:
 
 Library for the Performing Arts
 
 
 
 Compensation:
 
 $70,000 - $77,000 / year
 
 
 
 
 Description
 
 
 
 
 Overview
 
 
 The New York Public Library seeks an audio engineer to join our in-house Audio and Moving Image (AMI) digitization program. The AMI Preservation program (AMIP) is charged with preserving and providing access to the Research Libraries&rsquo; extensive collection of audiovisual materials&mdash;including historical recordings and at-risk 20th-century media formats&mdash;through digitization and stringent preservation standards. Reporting to the Manager of Audio and Moving Image Preservation, the Engineer will oversee the operation of one of two AMIP audio digitization labs, ensuring that daily audio digitization operations and quality standards are met while maintaining a robust pipeline of preservation work. The ideal candidate is highly skilled in audio digitization and preservation, organized, and efficient.
 
 
 While located at the Library for the Performing Arts, the Engineer will carry out the preservation assessment, treatment, and reformatting of recordings held across the Research Libraries. They will also be responsible for equipment calibration and maintenance, and provide input and feedback on technology and workflow development. The position will advise on media preservation issues, and participate in quality assurance, and program documentation.
 
 
 
 We are looking for someone we can count on to:
 
 
 
 
 Own
 
 :
 <ul>
 <li>
 The operation of one of two AMIP audio digitization labs, including preparation and treatment of media, digitization, file editing and post-production, and equipment care and calibration
 </li>
 <li>
 Pre- and post-digitization logistics for this audio lab, ensuring timely and accurate completion of audio digitization projects from physical media handling to post-digitization validation processes
 </li>
 <li>
 The tracking of key performance metrics for the audio lab to demonstrate progress and maintain accountability for projects
 </li>
 </ul>
 
 Teach
 
 :
 <ul>
 <li>
 Lab staff and cross-functional teams about evolving audio digitization practices, quality assurance, and equipment care
 </li>
 <li>
 Colleagues about emerging trends in audio preservation and the tools/software that support them
 </li>
 </ul>
 
 Learn:
 
 <ul>
 <li>
 The unique content, formats, and preservation requirements of the Library&rsquo;s extensive and diverse audio collections
 </li>
 <li>
 The audio lab&rsquo;s digitization workflows, including in-house scripts to assist with efficient file processing and metadata organization
 </li>
 <li>
 New technologies, software, and digitization strategies in order to scale and continuously improve audio lab processes
 </li>
 </ul>
 
 Improve
 
 :
 <ul>
 <li>
 Communication channels and reporting mechanisms so that AMI lab managers have insight into audio digitization timelines and overall lab productivity
 </li>
 <li>
 Technical workflows and documentation to enhance efficiency, standardization, and quality control outcomes across audio preservation projects
 </li>
 <li>
 Digitization and equipment operation knowledge by engaging in robust professional development and field-specific training
 </li>
 </ul>
 
 Some expectations for this role are that within:
 
 
 
 
 1 month
 
 , this person will:
 <ul>
 <li>
 Have a working understanding of NYPL digitization specifications and lab equipment capabilities
 </li>
 </ul>
 
 3 months
 
 , this person will:
 <ul>
 <li>
 Have full understanding and ability to execute specifications and workflows
 </li>
 </ul>
 
 6 months and beyond
 
 , this person will:
 <ul>
 <li>
 Have the expertise and ability to represent all specifications and procedures to external parties
 </li>
 <li>
 Contribute to program and division specifications, workflow, and strategy discussions
 
 </li>
 </ul>
 
 Responsibilities
 
 
 Reporting to the Manager of the Audio and Moving Image Preservation Program, the Media Preservation Engineer (audio) will:
 <ul>
 <li>
 Perform preservation treatment and reformatting for the full range of obsolete, still-in-use, and emerging audio formats, from analog to digital (discs, cylinders, tape, etc)
 </li>
 <li>
 Create preservation master, production, service, and metadata files according to AMIP specifications
 </li>
 <li>
 Use a wide range of software, scripts and other tools to perform this work.
 </li>
 <li>
 Calibrate and maintain current and obsolete equipment
 </li>
 <li>
 Perform quality assurance activities
 </li>
 <li>
 Assess and recommend new tools and equipment
 </li>
 <li>
 Quality control of deliverables and preparation of digital assets for repository ingest.
 </li>
 <li>
 Participate in overall program and workflow development
 </li>
 <li>
 Participate in Library-wide activities such as disaster response and recovery, and education and outreach activities
 </li>
 <li>
 Stay abreast of new technology and emerging best practices in the field, and pays attention to developments in professional organizations such as AES, IASA, ARSC.
 </li>
 <li>
 Perform other duties as assigned
 
 
 </li>
 </ul>
 
 Required Education, Experience &amp; Skills
 
 
 
 
 Required Education &amp; Certifications
 
 <ul>
 <li>
 Bachelor&rsquo;s degree, or degree in Audio Engineering, Library/Information Science, Music Technology, Electrical Engineering, or a related field preferred
 </li>
 </ul>
 
 Required Experience
 
 <ul>
 <li>
 2-5 years of demonstrated experience in audio preservation, including media identification; physical treatment; playback, signal extraction, and analog-to-digital conversion; production and specification of preservation master files, digital derivatives, and metadata
 </li>
 <li>
 Demonstrated experience in the preservation reformatting of legacy analog formats (open-reel tape, cassettes, and grooved discs)
 </li>
 <li>
 Demonstrated experience in the preservation and reformatting of physical digital formats (such as DAT, ADAT, etc.)
 </li>
 <li>
 Hands-on experience with at least one professional digital audio workstation software.
 </li>
 <li>
 Working understanding of the audio preservation standards and best practice documents developed by IASA and AES
 </li>
 <li>
 Ability to perform basic maintenance and calibration of current and obsolete audio playback equipment
 </li>
 <li>
 Experience in the preservation reformatting of full range of obsolete to current audio formats, to include cylinders, wires, dictation formats, and optical media
 </li>
 <li>
 Experience with file analysis, digital asset packaging, and command-line scripting
 </li>
 </ul>
 
 Required Skills
 
 <ul>
 <li>
 Comprehensive knowledge of audio preservation engineering, including the calibration of legacy playback systems and the principles of high-fidelity signal extraction and A/D conversion
 </li>
 <li>
 Excellent critical listening/viewing skills and evaluation of typical issues in reformatting legacy media
 </li>
 <li>
 Excellent skills in evaluating and handling rare, fragile, or damaged media
 </li>
 <li>
 Excellent judgment, problem-solving skills and strong commitment to high quality and productivity
 </li>
 <li>
 Excellent organizational skills, high attention to detail, with the ability to set priorities and complete work under pressure of production deadlines
 </li>
 <li>
 Awareness of leading trends in digitization, and an eagerness to expand the scope of digitization possibilities at NYPL
 </li>
 </ul>
 
 Managerial/Supervisory Responsibilities
 
 
 N/A
 
 
 
 More...
 
 
 
 
 Core Values
 
 
 
 All team members are expected and encouraged to embody the NYPL Core Values:
 
 <ul>
 <li>
 Be
 
 Helpful
 
 to patrons and colleagues
 </li>
 <li>
 Be
 
 Resourceful
 
 in solving problems
 </li>
 <li>
 Be
 
 Curious
 
 in all aspects of your work
 </li>
 <li>
 Be
 
 Welcoming
 
 and
 
 Inclusive
 
 </li>
 </ul>
 
 Work Environment
 
 <ul>
 <li>
 Primarily an in-house lab environment located at the Library for the Performing Arts at Lincoln Center
 </li>
 <li>
 May involve occasional travel to other NYPL locations or off-site storage facilities
 </li>
 <li>
 Possible exposure to dust, mold, and chemicals used in preservation and treatment of media
 </li>
 </ul>
 
 Physical Duties
 
 <ul>
 <li>
 Ability to lift and move a variety of media carriers, boxes, and equipment (up to 40 lbs.)
 </li>
 <li>
 May involve repetitive motions related to equipment operation
 </li>
 </ul>
 
 Pre-Placement
 
 
 Physical Required?
 
 
 No
 
 
 
 Union/Non Union
 
 
 Non-Union
 
 
 
 FLSA Status
 
 
 Exempt
 
 
 
 Schedule
 
 
 Onsite, 35 hours per week, Monday to Friday, 9 am - 5 pm
 
 
 
 This job description represents the types and levels of responsibilities that will be required of the position and shall not be construed as a declaration of all of the specific duties and responsibilities for the role. Job duties may change if Library priorities change. Employees may be directed to perform job-related tasks other than those specifically presented in this description as needed.
 
 
 
 
 
 The New York Public Library
 
 
 
 
 
 
 Salary Statement
 
 
 
 
 At the Library, we believe that pay transparency and pay equity are important to ensuring we source the best candidates and keep the best employees. When making a determination as to the appropriate salary for a candidate, we consider a variety of factors such, including, but not limited to, the position requirements, the skills, prior experience, and educational background required or preferred for the job, the scope and impact of the role within the organization, internal peer equity, and the candidate's specific training, experience, education level, and skills. No single factor is conclusive; the Library reserves the right to consider any and all relevant factors and make a decision consistent with its policies.
 
 
 Union Salaries are determined by collective bargaining agreement(s).
</div>

Media Preservation Engineer, Audio

Pixelogic Media

<div>
 We seek the brightest minds and the A-players to innovate and disrupt our industry and to make it easier for our clients to offer premium content quickly across physical and digital media platforms worldwide. No matter the product or service, our approach is simple: deliver advanced media solutions with exceptional service.
 
 
 To support our continued expansion, we are currently looking for "Roll Up Your Sleeves" problem solvers that can work as part of a world-class team. Our work environment is unique. So is the right candidate. This is a fantastic opportunity to join a forward-looking company that offers an exciting, creative and dynamic work environment with tremendous career growth potential.
 
 
 To date, we've delivered thousands of titles to iTunes, Google, Netflix, Amazon, and others. We've created a large percentage of iTunes Extras titles available on the App Store, developed the specification of and delivered the first Cross-Platform Extras titles, authored more than eight-thousand DVDs, two-thousand Blu-rays, as well as award-winning tablet and mobile apps.
 
 
 
 Job Qualifications
 
 
 
 <ul>
 <li>
 Bachelor degree
 </li>
 <li>
 2+ years in audio post-production or media service projects for film and tv
 </li>
 <li>
 Excellent Pro Tools operational skills, including the use of video in Pro Tools
 </li>
 <li>
 Passionate about customer experience and customer service excellence
 </li>
 <li>
 Non-linear video workstation editor skills
 </li>
 <li>
 Strong technical skills and knowledge of tools and devices in digital media
 </li>
 <li>
 Excellent communication skills over phone and email
 </li>
 <li>
 Excel and other MS Office application software
 </li>
 <li>
 Deep sense of urgency and ability to work in a fast-paced environment
 </li>
 <li>
 Problem solver with creative and innovative approach with ability to think out of the box
 </li>
 <li>
 Outstanding attention to detail and ability to plan complex projects with urgency
 </li>
 <li>
 A positive attitude when experiencing obstacles and enthusiastic to get things done
 
 
 </li>
 </ul>
 
 Requirements
 
 
 
 The audio engineer will be responsible for jobs related to audio and media post-production services. Primary responsibilities include preparing and delivering media content. This includes Pro Tools audio sessions, video content, and media packages (audio, video, subtitles, and closed captions). Candidate must be very proficient in Pro Tools within a post-production background. General proficiency in video types, SMPTE timecode, frame rates, codecs, and various video or audio file types is expected. Candidate must have a strong understanding, efficiency, and skillset in Avid Pro Tools, with some experience in operating non-linear video editors (example: Adobe Premiere) and the ability to understand subtitles and closed captions. Experience is required in working with all common audio formats, sample rates, video frame rates, including traditional multi-channel audio configurations (2.0, 5.1, 7.1). Attention to detail, excellent time management and a perfectionist mind-set is paramount in this role.
 
 
 <ul>
 <li>
 Utilizing various software and production tools to transform media to the appropriate spec (ProTools, Final Cut Pro, Adobe Suite, , etc.)
 </li>
 <li>
 Pre-processing media materials for Feature and TV shows
 </li>
 <li>
 Reviewing QC notes and troubleshooting
 </li>
 <li>
 Updating workflows according to client specifications as needed
 </li>
 <li>
 Continuously researching and identifying new tools and systems to enhance operational workflows
 </li>
 <li>
 Other tasks as assigned
 
 
 </li>
 </ul>
 
 Why should you join us?
 
 
 
 At Pixelogic, we pride ourselves on fostering a supportive and engaging environment. Our comprehensive benefits include top-notch medical and social insurance fully covered for you and your family, ongoing training and development opportunities, and fun department outings to boost team spirit. Enjoy delicious catered meals, unlimited snacks and drinks, and a fun office activity area for games and stress relief. We also provide free internet for remote work, convenient office transportation, and a rewarding referral bonus system.
</div>

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10000 sound engineer jobs Near Me

Assistant Sound Engineer

Event Manager - Ankara

Audio Engineer

Event Manager - Bursa

Part-Time Sound Board Operator / Mixed Media Computer Operator

Media Preservation Engineer, Audio

Audio Engineer