story editor

The Walt Disney Company

<div>
 <strong>
  About This Role And Our Studio
  <br/>
  <br/>
 </strong>
 Disney Television Animation (DTVA) has over forty years of legacy as a top producer of kids &amp; family entertainment. Our work is integral to The Walt Disney Company, bringing Disney-branded characters and stories to families&rsquo; homes across the globe.
 <br/>
 <br/>
 DTVA creates both long-form and short-form content spanning traditional 2D, rig-based 2D, CG (preschool), CG (premium), and stop-motion. We create shows in a broad range of unique and innovative styles, and we aim to match the right talent with the right production in terms of skill and artistic style.
 <br/>
 <br/>
 By submitting an application for this
 <strong>
  Associate Writer
 </strong>
 job posting, you may be considered for any
 <strong>
  Associate Writer
 </strong>
 positions that arise until the expiration date provided.
 <br/>
 <br/>
 <strong>
  Applications for this job posting will expire on October 1, 2026.
  <br/>
  <br/>
 </strong>
 In this entry level position, the Associate Writer will have an opportunity to work closely with our experienced creators, showrunners, story editors, and staff writers, with exposure to story and character development, structure, and theme while building new tools essential for excelling in a professional writer&rsquo;s room.
 <br/>
 <br/>
 <strong>
  What You Will Do
  <br/>
  <br/>
 </strong>
 The Associate Writer has many responsibilities, including supporting the Story Editor and Writers, along with the Producer/Line Producer, ensuring support as it relates to proper formatting of scripts, reports, archiving, and prep for the Casting and Music department. The opportunity of writing a script(s) from premise through record/locked script will be determined by the Series Creative Leadership. Associate Writers will have duties and responsibilities in addition to their opportunity in the writers&rsquo; room. Some of these include, but are not limited to:
 <br/>
 <br/>
 <ul>
  <li>
   Work with Story Editor, track and maintain critical information for the writer&rsquo;s room with detail and accuracy, such as: episode ideas, continuity documents, timelines, joke pitches, discarded story ideas, unused characters, etc.
  </li>
  <li>
   Take clear, organized, and effective notes during meetings with the Story Editor, story breaks, pitches, meetings with writers.
  </li>
  <li>
   Distribute notes to Story Editor, Writers, Producer/Line Producer, and other relevant parties
  </li>
  <li>
   Proofreading all outlines and scripts, synopsis and logline information along with other materials from the Story Editor and/or Writers
  </li>
  <li>
   Create, update, and distribute the writer&rsquo;s schedule to all relevant partners
  </li>
  <li>
   Print any script materials for meetings and records as needed
  </li>
  <li>
   Prepare and distribute various writing materials through various stages of production, including Script Department and Casting/Music.
  </li>
  <li>
   Liaise with Casting and Music departments to ensure and track correct materials are being recorded in conjunction with Production team.
  </li>
  <li>
   Create, revise, and distribute pick up scripts and ADR memos in conjunction with Production team.
  </li>
  <li>
   Conform scripts at each stage of production (animatic lock, record, etc.)
  </li>
  <li>
   Communicate completed deadlines to Producer/Line Producer
  </li>
  <li>
   Create and maintain accurate and organized Script server folders
  </li>
  <li>
   Partner with Writers and/or Story Editor to research and track materials
  </li>
  <li>
   Prepare and maintain writer&rsquo;s room for optimal writers&rsquo; sessions
  </li>
  <li>
   In collaboration with Production, create and maintain Franchise tracker for series and individual episodes as it pertains to writing.
   <br/>
   <br/>
  </li>
 </ul>
 <strong>
  Responsibilities (Creative)
  <br/>
  <br/>
 </strong>
 <ul>
  <li>
   Observe and/or participate in writer brainstorms (participation at the discretion of Story Editor)
  </li>
  <li>
   Collaborate with Story Editor to maintain and update show bible, character descriptions, episode synopsis, franchise materials, franchise tracker
  </li>
  <li>
   Read the room to know what the Story Editors and writers need for optimal writing conditions and performance, and ways to support the Story Editor in their role
  </li>
  <li>
   The opportunity of writing a script(s) from premise through record/locked script will be determined by the Series Creative Leadership. If Current Series Executives, Executive Producer, and Story Editor feel that the Associate Writer has the appropriate skill, capacity, and experience, they may assign written materials for the series (story pitches, premises, outlines, scripts) and/or ancillary written materials (Franchise, etc.)
  </li>
  <li>
   Maintains positive working relationship with Story Editor, writers, production, and other departments
   <br/>
   <br/>
  </li>
 </ul>
 <strong>
  Additional Duties As Assigned.
  <br/>
  <br/>
 </strong>
 <strong>
  Required Qualifications &amp; Skills
  <br/>
  <br/>
 </strong>
 <ul>
  <li>
   Knowledge of Final Draft
  </li>
  <li>
   Outstanding written skills, including clarity, grammar, organization, and copy-editing
  </li>
  <li>
   Excellent verbal communication skills and the ability to multi-task
  </li>
  <li>
   Understanding of how to prioritize and respond accordingly
  </li>
  <li>
   Team-player who operates in a fast paced team-oriented setting
  </li>
  <li>
   Self-motivated, flexible and versatile
  </li>
  <li>
   Strong desire to be a part of the TV and film industry with a particular focus on animation
   <br/>
   <br/>
  </li>
 </ul>
 <strong>
  Preferred Qualifications
  <br/>
  <br/>
 </strong>
 <ul>
  <li>
   The ideal candidate will include with their uploaded resume a cover letter that includes a brief personal bio and synopses for any sample writing materials provided.
   <br/>
   <br/>
  </li>
 </ul>
 <strong>
  Job Location
  <br/>
  <br/>
 </strong>
 <ul>
  <li>
   This is a fully on-site role based in Glendale, CA.
   <br/>
   <br/>
  </li>
 </ul>
 The pay rate for this role in California is $45.97 o $ 52.58 per hour, which follows the pay scale agreed upon in the Collective Bargaining Agreement. The base pay actually offered may vary depending on the candidate&rsquo;s geographic region, job-related knowledge, skills, and experience, among other factors. Select benefits may be provided as part of the compensation package, such as medical, financial, and/or other benefits, dependent on the level and position offered. To learn more about our benefits visit: https://jobs.disneycareers.com/benefits.
</div>


Associate Writer - Disney Television Animation

<div><div><b>Job ID</b> 10147615 <b>Location</b> Glendale, California, United States <b>Business</b> Disney Branded Television <b>Date posted</b> Apr. 08, 2026
<div><h4 class="jobSectionHeader"><b>Job Summary:</b></h4>
<div><p><b>About this Role and our Studio</b></p><p></p><p>
Disney Television Animation (DTVA) has over forty years of legacy as a top producer of kids &amp; family entertainment. Our work is integral to The Walt Disney Company, bringing Disney-branded characters and stories to families&rsquo; homes across the globe.
</p><p></p><p>DTVA creates both long-form and short-form content spanning traditional 2D, rig-based 2D, CG (preschool), CG (premium), and stop-motion. We create shows in a broad range of unique and innovative styles, and we aim to match the right talent with the right production in terms of skill and artistic style.</p><p></p><p>
By submitting an application for this <b>Associate Writer </b>job posting, you may be considered for any <b>Associate Writer </b>positions that arise until the expiration date provided.
</p><p></p><p><b>Applications for this job posting will expire on October 1, 2026.</b></p><p></p><p>
In this entry level position, the Associate Writer will have an opportunity to work closely with our experienced creators, showrunners, story editors, and staff writers, with exposure to story and character development, structure, and theme while building new tools essential for excelling in a professional writer&rsquo;s room.</p><p></p><p><b>
What You Will Do</b></p><p></p><p>
The Associate Writer has many responsibilities, including supporting the Story Editor and Writers, along with the Producer/Line Producer, ensuring support as it relates to proper formatting of scripts, reports, archiving, and prep for the Casting and Music department. The opportunity of writing a script(s) from premise through record/locked script will be determined by the Series Creative Leadership. Associate Writers will have duties and responsibilities in addition to their opportunity in the writers&rsquo; room. Some of these include, but are not limited to:</p><div><div><ul><li><p>
Work with Story Editor, track and maintain critical information for the writer&rsquo;s room with detail and accuracy, such as: episode ideas, continuity documents, timelines, joke pitches, discarded story ideas, unused characters, etc.</p></li></ul></div><div><ul><li><p>
Take clear, organized, and effective notes during meetings with the Story Editor, story breaks, pitches, meetings with writers.</p></li></ul></div><div><ul><li><p>
Distribute notes to Story Editor, Writers, Producer/Line Producer, and other relevant parties</p></li></ul></div><div><ul><li><p>
Proofreading all outlines and scripts, synopsis and logline information along with other materials from the Story Editor and/or Writers</p></li></ul></div><div><ul><li><p>
Create, update, and distribute the writer&rsquo;s schedule to all relevant partners</p></li></ul></div><div><ul><li><p>
Print any script materials for meetings and records as needed</p></li></ul></div><div><ul><li><p>
Prepare and distribute various writing materials through various stages of production, including Script Department and Casting/Music.</p></li></ul></div></div><div><div><ul><li><p>
Liaise with Casting and Music departments to ensure and track correct materials are being recorded in conjunction with Production team.</p></li></ul></div><div><ul><li><p>
Create, revise, and distribute pick up scripts and ADR memos in conjunction with Production team.</p></li></ul></div><div><ul><li><p>
Conform scripts at each stage of production (animatic lock, record, etc.)</p></li></ul></div><div><ul><li><p>
Communicate completed deadlines to Producer/Line Producer</p></li></ul></div><div><ul><li><p>
Create and maintain accurate and organized Script server folders</p></li></ul></div><div><ul><li><p>
Partner with Writers and/or Story Editor to research and track materials</p></li></ul></div><div><ul><li><p>
Prepare and maintain writer&rsquo;s room for optimal writers&rsquo; sessions</p></li></ul></div><div><ul><li><p>
In collaboration with Production, create and maintain Franchise tracker for series and individual episodes as it pertains to writing.</p></li></ul></div><p></p><div><p><b><br>
Responsibilities (Creative)</b></p></div><div><ul><li><p>
Observe and/or participate in writer brainstorms (participation at the discretion of Story Editor)</p></li></ul></div><div><ul><li><p>
Collaborate with Story Editor to maintain and update show bible, character descriptions, episode synopsis, franchise materials, franchise tracker</p></li></ul></div><div><ul><li><p>
Read the room to know what the Story Editors and writers need for optimal writing conditions and performance, and ways to support the Story Editor in their role</p></li></ul></div><div><ul><li><p>
The opportunity of writing a script(s) from premise through record/locked script will be determined by the Series Creative Leadership. If Current Series Executives, Executive Producer, and Story Editor feel that the Associate Writer has the appropriate skill, capacity, and experience, they may assign written materials for the series (story pitches, premises, outlines, scripts) and/or ancillary written materials (Franchise, etc.)</p></li></ul></div><div><ul><li><p>
Maintains positive working relationship with Story Editor, writers, production, and other departments</p></li></ul></div></div><p></p><p><b>
Additional duties as assigned.</b></p><p></p><p><b>
Required Qualifications &amp; Skills</b></p><p></p><div><div><ul><li><p>
Knowledge of Final Draft</p></li></ul></div><div><ul><li><p>
Outstanding written skills, including clarity, grammar, organization, and copy-editing</p></li></ul></div><div><ul><li><p>
Excellent verbal communication skills and the ability to multi-task</p></li></ul></div></div><div><div><ul><li><p>
Understanding of how to prioritize and respond accordingly</p></li></ul></div><div><ul><li><p>
Team-player who operates in a fast paced team-oriented setting</p></li></ul></div><div><ul><li><p>
Self-motivated, flexible and versatile</p></li></ul></div><div><ul><li><p>
Strong desire to be a part of the TV and film industry with a particular focus on animation</p></li></ul></div></div><p></p><p><b>
Preferred Qualifications</b></p><ul><li><p>
The ideal candidate will include with their uploaded resume a cover letter that includes a brief personal bio and synopses for any sample writing materials provided.</p></li></ul><p></p><p><b>
Job Location</b></p><ul><li><p>
This is a fully on-site role based in Glendale, CA.</p></li></ul><br>
<p></p>
The pay rate for this role in California is $45.97 o $ 52.58 per hour, which follows the pay scale agreed upon in the Collective Bargaining Agreement. The base pay actually offered may vary depending on the candidate&rsquo;s geographic region, job-related knowledge, skills, and experience, among other factors. Select benefits may be provided as part of the compensation package, such as medical, financial, and/or other benefits, dependent on the level and position offered. To learn more about our benefits visit: https://jobs.disneycareers.com/benefits.</div></div></div></div>

Dirty Mo Media

<div><p>A producer/editor for Dirty Mo Media (DMM) is part of a creative team that produces a wide range of digital content including podcasts, vodcasts, livestreaming, TV programming, social media content, etc. The producer/editor that fills this position will be capable in all formats, but especially in the capturing and editing of audio and video. This role requires a strong sense of storytelling, pacing, and brand alignment across platforms. The producer/editor will report to the Head of Original Programming and must work well with a team of creators who take pride in their work, collaborate cross-functionally, and represent the Dirty Mo Media brand with excellence and creativity.</p>
<p><b>ESSENTIAL FUNCTIONS</b></p>
<p><b>Reasonable Accommodations Statement</b><br>
To perform this job successfully, an individual must be able to perform each essential duty satisfactorily. Reasonable Accommodations may be made to enable qualified individuals with disabilities to perform the essential functions.</p>
<ul><li><b>Producer</b> &ndash; this may include:
<ul><li>Collaborating with hosts, creative directors, and editors to shape episode concepts and storylines.</li>
<li>Preparing calls sheets, show sheets, schedules, camera plans, guest bookings, guest prep, etc.</li>
<li>Coordinating logistics for both in-studio and remote productions, including travel and technical setup.</li>
<li>Managing the taping of shows such as directing, board operation, file management, crew management, etc.</li>
<li>Overseeing post-production workflows, deliverables, and archiving.</li>
<li>Final packaging and distribution of shows, including quality control.</li>
<li>Managing advertisement fulfillment, sponsorships, branded content, and integrations as directed by DMM.</li>
<li>Meeting posting and editing deadlines.</li>
<li>Ensuring content aligns with DMM&rsquo;s creative standards and brand tone across all platforms.</li>
</ul></li><li><b>Podcast Editor &ndash; </b>using Adobe Audition, this may include:
<ul><li>Editing shows for audio distribution on an RSS feed to DMM standards, along with liners, ad reads, feed drops, etc.</li>
<li>Incorporating sound designs, music beds, transitions, stingers, audio drops and archival audio in a way that enhances storytelling and the podcast-listening experience.</li>
<li>Audio vetting, audio formatting and audio mastering to ensure the highest quality of content and maintain consistency with DMM&rsquo;s overall audio identity.</li>
<li>Vetting and using discernment to edit, including bleeping cuss words and flagging and/or removing sensitive content to protect hosts, DMM and its advertisers.</li>
<li>Collaborating with marketing and social media teams on optimal show naming, descriptions, and metadata to maximize discoverability.</li>
</ul></li><li><b>Video Editor &ndash;</b> using Adobe Premiere, this may include:
<ul><li>Creating dynamic and platform-native edits of full shows, breakout clips and social clips optimized for platforms including YouTube, TV, and social platforms, all to DMM standards.</li>
<li>Video design, including designing lower thirds, title cards, and graphic templates, to enhance franchise-viewing experience along with utilizing pacing, tone, and story flow to achieve editorial excellence.</li>
<li>Footage vetting and discernment.</li>
<li>Video formatting to ensure viewing compatibility and video mastering to ensure the highest-quality viewing experience.</li>
<li>Collaborating with marketing and social media teams on optimal show naming, descriptions, thumbnails, chaptering, and metadata to maximize discoverability.</li>
</ul></li></ul><p><b>SKILLS AND ABILITIES</b></p>
<ul><li><b>Education:</b> Currently in pursuit of or have obtained a Bachelor&rsquo;s degree.</li>
<li><b>Skills:</b> Must be proficient with Adobe&rsquo;s editing suite, primarily Adobe Audition and Adobe Premiere; experience with After Effects and Photoshop is a plus. Must have familiarity with podcasting, radio production, and digital video formats. Must be creative, dependable and punctual. Must have a strong desire to grow in the production industry. Must have a strong sense of story and pacing, and the ability to creatively solve problems in post-production.<br>
Must demonstrate excellent organizational skills and attention to detail. Must have a strong understanding of social and digital media platforms, including YouTube, Instagram, TikTok, and X, and how to optimize content for each.<b> </b>Must have familiarity with NASCAR and other forms of motorsports (or a strong willingness to learn). Must work well on a team and respond well to direction. Must be willing to work in a highly-competitive, fast-paced environment &ndash; remotely, accurately and on a deadline. Must be able to problem-solve on both a strategic and functional level. Must have a creative mindset with a proactive approach to pitching ideas, evolving formats, and pushing DMM&rsquo;s storytelling forward.</li></ul></div>

Producer/Editor

PakWheels

<div><p>We are looking for a car-enthusiast <b>Editor</b> who loves the smell of new launches and the excitement of breaking news. The role goes beyond checking grammar; you ensure every story and blog provides value, is factually accurate, and makes sense to readers in its simplest terms.</p>
<p>You&rsquo;ll help improve our editorial standards, refine content before it goes live, and collaborate with writers to make each article insightful, precise, and engaging. If you're curious about cars and industry trends and eager to learn, you&rsquo;ll be a great fit.</p>
<p><b>Key Responsibilities:</b></p>
<ul><li>Edit and refine blog, news, and feature content to ensure it&rsquo;s clear, accurate, and reader-first.</li>
<li>Spot factual gaps, poor context, incorrect word use, weak arguments, or language issues &mdash; make every story stronger.</li>
<li>Audit articles daily and help create a system to measure content quality.</li>
<li>Work with writers, interns, and translators to maintain a consistent voice and standards.</li>
<li>Keep your finger on the pulse of auto trends, launches, and industry news.</li>
<li>Collaborate with SEO, design, and social teams to get content seen and read.</li>
<li>Mentor junior writers and provide feedback that actually helps them improve.</li>
</ul>
<p><b>Requirements:</b></p>
<ul><li>3-4 years in editing, copy editing, journalism, or automotive content.</li>
<li>Degree in English literature, journalism, or marketing</li>
<li>Strong English skills and a sharp editorial eye.</li>
<li>Curious about cars and eager to learn the automotive world inside out.</li>
<li>Critical thinker who can spot errors, inconsistencies, or gaps in content.</li>
Proactive, collaborative, decisive, and ready to own your work.<br>
<li>
</li></ul><p><b>Why You&rsquo;ll Love It:</b></p>
<ul><li>Be part of a growing automotive newsroom shaping the industry&rsquo;s voice.</li>
<li>Influence how Pakistan&rsquo;s car enthusiasts read and trust automotive content.</li>
<li>Take ownership, make decisions, and see your work impact readers every day.</li>
</ul>
<p>At PakWheels, we take pride in fostering a dynamic and innovative workplace culture that values collaboration and growth. Since 2003, PakWheels.com has transformed the automobile industry in Pakistan, helping millions of Pakistanis buy, sell, and maintain their vehicles. By joining PakWheels, you'll be part of a mission to revolutionize the automobile landscape. Our environment thrives on creativity, teamwork, and forward-thinking ideas.</p></div>

Copy Editor

Elysium Media

<p><b>Podcast Editor</b></p><p>We're looking for a skilled editor with genuine creative flair to join our content team. The core of this role is <b>live editing</b>&mdash; cutting and shaping episodes in real time as they're recorded &mdash; followed by polish, color, and delivery. You'll also own full offline edits when needed, source and cut B-roll that elevates the story, and bring real creative instincts to every episode you touch. If you can make a talking-heads interview feel cinematic, you'll fit right in.</p><p><b>What You'll Do</b></p><ul><li>Live-edit podcast recordings in real time, making clean cuts and confident creative decisions on the fly</li><li>Polish episodes post-recording: audio leveling, noise reduction, pacing, music, and sound design</li><li>Source, cut, and integrate B-roll footage to add depth, rhythm, and visual storytelling to episodes</li><li>Build full episodes from scratch when needed &mdash; from raw footage to final delivery</li><li>Sync audio and video, manage multi-track sessions, and deliver broadcast-ready files</li><li>Collaborate with hosts and producers to maintain consistent quality and tone across episodes</li><li>Create or adapt visual assets for episode promotion (thumbnails, graphics, social cuts)</li><li>Maintain organized project files and hit deadlines reliably</li></ul><p><b>What We're Looking For</b></p><ul><li>Demonstrated experience with live or near-live editing workflows &mdash; this is essential</li><li>A strong creative eye &mdash; you don't just cut, you shape a story</li><li>Proven ability to edit full projects end-to-end, from raw footage to polished final cut</li><li>Experience sourcing and cutting B-roll to enhance narrative and pacing</li><li>Strong proficiency in Adobe Premiere and/or Final Cut Pro; Adobe Audition or equivalent for audio</li><li>Solid post-production fundamentals: leveling, EQ, noise reduction, color grading</li><li>Graphic design basics in Photoshop or equivalent (thumbnails, social assets)</li><li>Calm, focused, and decisive under the time pressure of a live session</li><li>Strong communication and the ability to take direction quickly from hosts and producers</li></ul><p>Pay: $60,000.00 - $72,000.00 per year</p><p>Benefits:</p><ul><li>Flexible schedule</li></ul><p>Work Location: Hybrid remote in Beverly Hills, CA 90211</p>

Podcast Editor

Fox Corporation

<div><p><b>OVERVIEW OF THE COMPANY</b></p>
Fox TV Stations<p></p>
FOX Television Stations owns and operates 29 full power broadcast television stations in the U.S. These include stations located in 14 of the top 15 largest designated market areas, or DMAs, and duopolies in 11 DMAs, including the three largest DMAs (New York, Los Angeles and Chicago). Of these stations, 18 are affiliated with the FOX Network. In addition to distributing sports, entertainment and syndicated content, our television stations collectively produce approximately 1,200 hours of local news every week. These stations leverage viewer, distributor and advertiser demand for the FOX Network&rsquo;s national content.<p></p><h2 class="jobSectionHeader"><b>
JOB DESCRIPTION</b></h2><div></div><div><div><div><div><div><div><div><div><div><p>
FOX 32 News is hiring a key player to fill the vital role of Assignment Editor in our busy newsroom. You&rsquo;ll be the glue that holds the operation together juggling emails, phones, social media and police scanners. You&rsquo;ll coordinate and direct news crews ensuring they are covering the most important stories in our community for both digital and broadcast. You are the communication expert who can deliver information accurately and quickly to producers, reporters, photographers and news managers. You are a positive person with a winning attitude looking to beat the competition to latest news story. If this is you, we want you on our team!</p><p></p><p>
RESPONSIBILITIES:
<br>
You will be responsible for guiding news coverage on digital and broadcast platforms during your assigned shift. You must understand how to create and construct compelling and impactful news content. You will handle ENG and news crew deployment and coordinate live crew assignments. Because we are a multiple platform news operation with a heavy emphasis on our digital platforms, you must know how to use social media, the internet and other emerging technologies to generate news stories and news contacts. You must have the skills to curate content for web and assign resources for a digital platform. This position assists the news producers with story research. You will monitor police and fire scanners and e-mail for potential news stories. Other duties as assigned.</p><p></p><p>
REQUIREMENTS:
<br>
Must have a Journalism or communication degree or related experience. Previous assignment desk, associate producer or news internship experience preferred but not required. Applicant must have excellent news judgment and understand how to use current news gathering tools for both broadcast and digital platforms. Must be organized and be able to prioritize assignments to maximize staff output. Must be able to multi-task and think logistically. Must work well under pressure and stay calm in breaking news situations. Experience with newsroom software such as iNews, Slack, and video editing is preferred. Strong communication skills, writing skills and commitment to the highest standards of journalism is required. Position will include weekends and an occasional holiday shift.</p></div></div></div></div></div></div></div></div></div><p></p><p><i>
We are an equal opportunity employer and all qualified applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, gender identity, disability, protected veteran status, or any other characteristic protected by law. We will consider for employment qualified applicants with criminal histories consistent with applicable law.</i></p><p></p>
Pursuant to state and local pay disclosure requirements, the pay rate/range for this role, with final offer amount dependent on education, skills, experience, and location is $70,000.00-77,250.00 annually. This role is also eligible for various benefits, including medical/dental/vision, insurance, a 401(k) plan, paid time off, and other benefits in accordance with applicable plan documents. Benefits for Union represented employees will be in accordance with the applicable collective bargaining agreement.<p></p><p>
View more detail about FOX Benefits.</p></div>

Assignment Editor

African Wildlife Foundation

<div>
 Title: Writer, Editor
 <br/>
 <br/>
 Division: Brand and Public Engagement
 <br/>
 <br/>
 Reports To: Senior Vice President, Brand &amp; Public Engagement
 <br/>
 <br/>
 Matrix Management: N/A
 <br/>
 <br/>
 Supervises: N/A
 <br/>
 <br/>
 Location: Washington, DC (Hybrid)
 <br/>
 <br/>
 Salary: $75,000-$88,000
 <br/>
 <br/>
 <strong>
  Position Summary
  <br/>
  <br/>
 </strong>
 The Writer-Editor is AWF&rsquo;s lead editor and marketing writer, working across the organization to translate the impact of AWF&rsquo;s work and our unique brand value proposition into compelling, donor-focused content, publications, and storytelling. Reporting to the Senior Vice President, Brand &amp; Public Engagement, the Writer-Editor partners with colleagues across the Brand and Development teams to support the content needs of AWF&rsquo;s programmatic, fundraising, and policy teams.
 <br/>
 <br/>
 The role oversees editorial standards for core institutional materials and develops content for printed materials and other channels. Products include the annual report, newsletters, special publications, editorial digital content, donor reports and proposals, and video scripts. The position functions as a cornerstone of editorial expertise, helping to ensure consistency, quality, and a cohesive voice across institutional materials that brings to life our role as the leading African voice for a people-centered approach to conservation.
 <br/>
 <br/>
 <strong>
  Key Responsibilities
  <br/>
  <br/>
 </strong>
 <ul>
  <li>
   Provide editorial oversight, ensuring editorial quality and consistent brand voice and messaging across key AWF marketing materials.
  </li>
  <li>
   Partner with the Strategic Communications team to develop and evolve editorial guidelines and best practices.
  </li>
  <li>
   Work closely with representatives across AWF divisions to assess organizational needs and develop key marketing collateral (website updates, fact sheets, brochures, and other promotional literature) and ensure consistent, accessible, and high-quality products.
  </li>
  <li>
   Lead development and production of AWF&rsquo;s Annual Report, newsletters, campaign materials, and marketing collateral.
  </li>
  <li>
   Provide editorial feedback, copyediting, and/or proofreading for external facing editorial products produced across the Brand team.
  </li>
  <li>
   Partner with team members to develop editorial calendars and ensure materials are created on time and to the highest editorial standards.
   <br/>
   <br/>
  </li>
 </ul>
 <strong>
  Key Qualifications
  <br/>
  <br/>
 </strong>
 <ul>
  <li>
   Bachelor&rsquo;s degree with coursework in journalism, editorial planning, and publications preferred.
  </li>
  <li>
   At least 3+ years&rsquo; relevant working experience writing in a marketing communications capacity.
  </li>
  <li>
   Excellent interpersonal skills, able to relate to people from various geographic and economic backgrounds.
  </li>
  <li>
   Superior writing, editing, and grammatical skills. Experienced AP Style writer and editor.
  </li>
  <li>
   Familiarity with publications practices and related tools and software, including advanced knowledge of Microsoft Office and AI tools.
  </li>
  <li>
   Must be flexible, culturally sensitive, work well independently, and exude a &ldquo;team&rdquo; attitude.
  </li>
  <li>
   Detail-oriented and highly organized with the ability to multitask, handle multiple priorities, and work effectively in a fast-paced, deadline-oriented environment.
  </li>
  <li>
   Ability to organize and present issues in a clear, concise, and logical manner.
  </li>
  <li>
   Keen interest or experience in wildlife/land conservation and/or sustainable development in Africa preferred.
   <br/>
   <br/>
  </li>
 </ul>
 <strong>
  Application Deadline: May 19, 2026
 </strong>
</div>


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